One of the most improbable blockbuster successes of the ’90s was Hootie and the Blowfish: a South Carolina bar band fronted by a Black lead singer that played jangly alt-pop. That singer, Darius Rucker, built a career that’s one of a kind. Rucker’s tastes growing up were eclectic, as were the influences on his young bandmates. Their Cracked Rear View album took a year to catch on, but then it dominated the charts.

The story gets more interesting after Hootie fell off: Darius Rucker’s career is a prime example of how chart success is a product of musical trend. First, Rucker tried to become a neo-soul star. Then he tried his hand at country music, even though Nashville had not produced a major Black solo star since Charley Pride.

Join Chris Molanphy as he traces this improbable journey—the role Rucker’s band played in mainstreaming alt-rock, Rucker’s effort to find a genre to call home, and how he finally became a chart-conqueror again..

Podcast production by Kevin Bendis.



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A Little Love and Some Tenderness Edition Part 2

What makes a song a smash? Talent? Luck? Timing? All that—and more. Chris Molanphy, pop-chart analyst and author of Slate’s “Why Is This Song No. 1?” series, tells tales from a half-century of chart history. Through storytelling, trivia and song snippets, Chris dissects how that song you love—or hate—dominated the airwaves, made its way to the top of the charts and shaped your memories forever.

Music

Music Commentary

Music History

When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls?

As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own.

From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.)

Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.”

Podcast production by Kevin Bendis.
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We Want It That Way Edition Part 2

We Want It That Way Edition Part 1

Cover songs once had a simple playbook: Artists would faithfully rerecord a song—note for note and word for word. They might modernize the instrumentation. If they were feeling radical, they’d punch up the vocals a bit.

Now it’s hard to say what a cover is anymore. If Ariana Grande turns “My Favorite Things” into “7 Rings,” does that qualify? When Drake says he’s “Way 2 Sexy,” is he covering Right Said Fred?

The recent chart success of “Fast Car”—country star Luke Combs’ very traditional take on Tracy Chapman’s folk classic—has reinvigorated interest in cover songs. Sometimes, isn’t just remaking the song as-is enough?

Join Chris Molanphy as he explains the chart considerations and artistic motivations that rebooted the cover song, and whether a straight-up remake will ever top the Hot 100 again. We’re long past the days of “Twist and Shout,” “Venus” and “I’ll Be There.”

Podcast production by Olivia Briley.
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Gotcha Covered Edition Part 2

Gotcha Covered Edition Part 1

Barbra Streisand: star of stage and screen. Oscar-winner, film director and TV producer. Culture warrior and meme generator.

Yes, all that—but don’t get it twisted: Barbra’s legend rests in her catalog of hit songs—and that voice.

Even as culture vultures consume her recent doorstop of a memoir My Name Is Barbra, what’s getting overlooked are Streisand’s awesome musical benchmarks, especially on the Billboard charts. All of those records Taylor Swift has been setting on the album chart, and Billie Eilish on the Grammys? Babs got there first.

At a time when rock was ascendant and showtunes were on the wane, Streisand set her own pop agenda, scoring brassy hits that weren’t trendy but topped the charts anyway. She became a pop star, Broadway legend and box-office commander practically simultaneously.

Join Chris Molanphy as he tells the story of the original Queen of All Media and explains how she racked up all those hits your mom loved (be honest, you know them too) and made “memories, like the corners of [your] mind.” Trust us: It’ll be like buttah.

Podcast production by Kevin Bendis.
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A Little Love and Some Tenderness Edition Part 2

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