In front of an audience at this year’s Hay Festival Helen Lewis talks to three prize winning authors about their work.  Damon Galgut’s Booker-winning The Promise tells the story of a family and a country – South Africa – and the failed promises that destroy them both. The exciting promise of a super-connected world where memories are currency is set against the quest for privacy in Jennifer Egan’s new novel The Candy House. And Margo Jefferson examines every passion, memory and influence – from family to jazz to art – in her new memoir, Constructing a Nervous System.  Producer: Katy Hickman

Family drama at Hay Festival

Weekly discussion programme, setting the cultural agenda every Monday

Society & Culture

Personal Journals

History

Philosophy

Places & Travel

Why are there areas of severe deprivation in prosperous countries, and how can prosperity be shared more equally? Those are the questions the world-renowned development economist Paul Collier explores in his book, Left Behind: A New Economics for Neglected Places. He looks at areas that were once thriving – from the mining towns of South Yorkshire to the bustling city ports in Colombia – to explore widening inequality, but also to offer ideas of economic renewal. Matthew Xia directs the UK premier of Skeleton Crew by Dominique Morriseau at the Donmar Warehouse (from 28th June to 24th August 2024). Set in Detroit in 2008, the play follows a tight-knit group of workers in one of the city’s last surviving car factories as they struggle to come to terms with its inevitable closure.  This is a story about the human cost of a global financial crisis and of enduring hope, against the odds. Joanna Kusiak calls herself a scholar-activist as she recounts the movement she was involved in that put people and community before speculative finance and profit. Her book, Radically Legal, is the story of how a group of ordinary Berliners used a forgotten clause in the German constitution to take back more than 240,000 apartments from corporate landlords. The book is based on Kusiak’s winning entry to the Nine Dots Prize, which supports the development of book proposals, and was in response to the question set by the prize: ‘why has the rule of law become so fragile?’  Producer: Katy Hickman

‘Left behind’, but not forgotten

In front of an audience at the Hay Literary Festival Adam Rutherford talks to the botanist and Native American Robin Wall Kimmerer. In her book, Braiding Sweetgrass she shows the importance of bringing together indigenous wisdom and scientific knowledge, to increase understanding of the languages and worlds of plants and animals.  Hugh Warwick is an expert on hedgehogs but in his latest book, Cull of the Wild, he focuses on animals less native, and beloved. From grey squirrels in Anglesey to cane toads in Australia he explores the complex history of species control, and the ethics of killing in the name of conservation. The writer Olivia Laing turns her attention to the efforts to create paradise on earth. In The Garden Against Time she retells her own attempts to restore a walled garden in Suffolk while investigating the long history of gardens – real and imagined, follies and pleasure grounds. Producer: Katy Hickman

Hay Festival: ancient wisdom and ecology

The American author Marilynne Robinson is celebrated as a writer of fiction and non-fiction that raises philosophical questions about how to live an ethical life. In her latest book, Reading Genesis, she explores the stories in the Bible and God’s promise of enduring covenant with humanity. The writer Naomi Alderman grew up with stories from the Old Testament, and although no longer a believer, attests to the power and strangeness of these ancient stories. She wishes they were as popular as the Greek myths. The poet Malika Booker grew up in Guyana where she says the King James Bible was ubiquitous. Its language has influenced her own work, and in recent years she has set herself the task of creolising the Bible, infusing its stories with the cadences of home. Producer: Katy Hickman

Reading the Bible

The National Gallery in London is displaying Caravaggio’s last painting, The Martyrdom of Saint Ursula (until 21 July 2024), an extraordinary work depicting the violence and intense naturalism of the scene, and the painter’s revolutionary use of dramatic lighting. The curator Francesca Whitlum-Cooper says Caravaggio changed the art world in the 17th century. But the painter was as famous for his personal life as his art: he left murder and mayhem in his wake as he attempted to evade the law. For most of its existence The Martyrdom of Saint Ursula languished in private collections and was sold for just £3,500 in the 1970s, with few believing it was by Caravaggio. Now it’s been identified as an original it’s worth millions. The fortunes to be made and lost in the art market, the risks, the greed and the deals are the subject of Orlando Whitfield’s book All That Glitters. He details his friendship with the contemporary art dealer Inigo Philbrick, a young man whose spectacular rise is matched only by his dramatic fall, convicted and imprisoned for fraud owing $86.7 million. The art market is often shrouded in secrecy and is one of the very few unregulated markets left in the global economy. Angelina Giovani-Agha is an art historian who has specialised in provenance research. She understands that each painting has a story to tell and a unique record of acquisition. Her work involves investigating ownership history and highlighting any murky inconsistencies, as well as specialising in looted artworks. Producer: Katy Hickman

Art: market, money and malfeasance

As a new exhibition opens in Liverpool exploring the survival of bees Start the Week takes stock of the life and times of this extraordinary insect. The artist Wolfgang Buttress uses a fusion of art, science and technology to create a sensory experience of the sights and sounds of bees. Bees: A Story of Survival is on at the World Museum, Liverpool until May 2025. They’ve been around for over 120 million years and Lars Chittka, Professor of Sensory and Behavioural Ecology at Queen Mary University of London, says the thousands of different bee species have evolved a huge diversity of lifestyles and are some of the most intelligent animals on Earth. They not only use a symbolic language, can count, use tools and learn by observation, but are now believed to have an emotional hinterland. For millennia, bees have held a special significance in human culture.  Claire Preston, Professor of Renaissance Literature at QMUL, traces the symbolism of bees through historical and literary records, from ancient political analogies to today’s discussions about hive minds. While there are increasing fears about the future of bees as they battle exposure to pesticides, diseases and habitat destruction, Alison Benjamin is one of a growing number of people trying to raise awareness. She is the co-founder of Urban Bees and wants to shift the focus away from farmed hives of honey bees which are growing in popularity in cities, to the protection and survival of wild and solitary bees. Producer: Katy Hickman

Family drama at Hay Festival

Download our free app to listen on your phone