One of the best ways to learn the craft of fiction is to read the works of great writers, those novelists who know how to offer the reader unforgettable images of new places and new people.   Here are examples of character and setting descriptions from skilled writers.   Listening to them, we'll be inspired to create vivid and enchanting descriptionsSupport the Show.

Episode 69 - Learning character and setting descriptions from the masters.

Hosted by James Thayer, the podcast is a practical, step-by-step manual on how to craft a novel.  It presents a set of tools for large issues such as story development and scene construction (Kirkus Reviews said Thayer's novels are "superbly crafted') and it also examines techniques that will make your sentence-by-sentence writing shine. The New York Times Book Review has said Thayer's "writing is smooth and clear.  it wastes no words, and it has a rhythm only confident stylists achieve.

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Details are proofs, evidence offered to the reader about our story.   Details will make our fiction engaging and will allow the story to grab readers.  But there are right and wrong ways to use details, and we'll talk about the difference.  Also, how should we handle back-story, politics, and society in our story?  And a goofy pop quiz.Support the Show.

Episode 114 - A critical technique to make our story engaging.

For most of us our sentence-by-sentence writing should be a clear window to our story rather than a barrier to seeing the story.  Here are thoughts on the clear window.  Also, how George Orwell worked.Support the Show.

Episode 113 - The clear window technique.

What are the advantages and disadvantages of writing in the present tense?  And the past tense?   Also, a reminder about the importance of setting.  And I get on my high horse about writers needing persistence regarding submissions.Support the Show.

Episode 112 - Writing in the past or present tense, and making submissions.

It's hard to make a big meeting scene interesting.  Much of the time meeting scenes should be avoided.  But if we must have a meeting, showing rather than telling will make it more interesting.   Plus, how Carson McCullers worked.  And some comments from feuding writers.  Also, an interview with Maeve Binchy.Support the Show.

Episode 111 - If we have to have a big meeting, show rather than tell.

Good advice about designing your own book cover; don't.   If you self-publish your novel don't ruin it with a do-it-yourself book cover.   Here are thoughts on why you should hire a pro designer.  Also: why have we lost some enthusiasm for writing our novel, and how can we get it back?   And some of the loveliest sentences in literature.Support the Show.

Episode 69 - Learning character and setting descriptions from the masters.

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