Mariam and Mohammed are Yemeni filmmakers who turned the lens on their own relationship. Mariam Al-Dhubhani and Mohammed Al-Jaberi's love story started in friendship, and it didn't take long before they fell for each other. Not even living in different continents – or a civil war – could get in their way. But when a heartbreaking loss shook the foundation of their relationship for the first time, it was a video camera that helped them find their way back to one another.  Presenter: India Rakusen
Producer: Gaia Caramazza 
Editor: Munazza Khan

Love, war, and the cutting room floor

Have you ever locked eyes with a stranger and wondered, "What’s their story?" Step into someone else’s life and expect the unexpected. Extraordinary stories from around the world.

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On the day his mother disappeared in December 1989, 11-year-old Collier Landry started looking for evidence.   He suspected his father, a rich and well-respected town doctor, had something to do with it. This is the story of Collier's fight to get justice for his mother, and the detective who believed him. Collier's film is called A Murder in Mansfield.   Presenter: Asya Fouks 
Producer: Helen Fitzhenry Get in touch: liveslessordinary@bbc.co.uk or WhatsApp: 0044 330 678 2784

How I convinced police my dad was a murderer

How Ustad Noor Bakhsh, a Pakistani shepherd in his 70s, became a folk music star After hunting for four years, Pakistani ethnomusicologist Daniyal Ahmed finally finds Ustad Noor Bakhsh, an elderly shepherd and master of the electric benjo – an obscure stringed instrument with typewriter keys. With Daniyal’s help, Ustad Noor would go from serenading his goats in the jungles of Balochistan to performing for revellers on the European festival circuit. Presenter: Mobeen Azhar
Producer: Maryam Maruf
Translation: Wajid Baloch Get in touch: liveslessordinary@bbc.co.uk or WhatsApp: 0044 330 678 2784

Balochistan’s mystery benjo man, part 2

The epic quest to find an elderly Pakistani musician and his unusual stringed instrument Daniyal Ahmed is a flute player and anthropologist who spends his time searching out and documenting folk music across Pakistan. In 2018, he was mesmerised by a video clip of an elderly man – described as a “poor fisherman” – expertly playing a benjo, an obscure stringed instrument that looks like a cross between a guitar and a typewriter. So began Daniyal’s hunt for this mystery master musician. Presenter: Mobeen Azhar
Producer: Maryam Maruf Get in touch: liveslessordinary@bbc.co.uk or WhatsApp: 0044 330 678 2784

Balochistan’s mystery benjo man, part 1

Erika Cheung went from a trailer park to a top tech company job, but something was off. She knew how to work hard, growing up in a one-bedroom trailer, she dreamed of pursuing her passion for science and helping others. So Erika was thrilled to land her first job out of university at a booming tech company promising a revolution in healthcare. Fronted by the glamorous and wealthy Elizabeth Holmes, Theranos claimed to have the technology to be able to tell from a few drops of blood whether someone had a range of diseases. That was not true. And it took Erika, one of their most junior employees, to blow the whistle – at great personal risk.  Presenter: Jo Fidgen
Producer: Mary Goodhart
Editor: Munazza Khan Get in touch: liveslessordinary@bbc.co.uk or WhatsApp: 0044 330 678 2784

Exposing Silicon Valley's multimillion dollar fraud

A bonus episode from the Amazing Sport Stories podcast – The Black 14. Sport, racism and protests are about to change the lives of “the Black 14” American footballers. It’s 1969 in the United States. They’ve arrived on scholarships at the University of Wyoming to play for its Cowboys American football team. It was a predominantly white college. The team is treated like a second religion. Then, the players make a decision to take a stand against racism in a game against another university. 
 
This is episode one of a four-part season from the Amazing Sport Stories podcast. 
 
Content warning: This episode contains lived experiences which involve the use of strong racist language

Love, war, and the cutting room floor

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