Chattel slavery in the United States, with its distinctive – and strikingly cruel – laws and structures, took shape over many decades in colonial America. The innovations that built American slavery are inseparable from the construction of Whiteness as we know it today. By John Biewen, with guest Chenjerai Kumanyika. 

 

Key sources for this episode:

The Racial Equity Institute

Ibram Kendi, Stamped from the Beginning

Nell Irvin Painter, The History of White People

Made in America (Seeing White, Part 3)

Scene on Radio is a two-time Peabody-nominated podcast that dares to ask big, hard questions about who we are—really—and how we got this way. Previous series include Seeing White (Season 2), looking at the roots and meaning of white supremacy; MEN (Season 3), on patriarchy and its history; The Land That Never Has Been Yet (Season 4), exploring democracy in the U.S. and why we don’t have more of it; and The Repair (Season 5), on the climate crisis: Where did we go so wrong in our relationship with the rest of the natural world, and who's "we"? Produced and hosted by John Biewen and created at the Center for Documentary Studies at Duke University, Scene on Radio is supported by the Kenan Institute for Ethics at Duke University. The show is distributed by PRX.

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As we get ready to launch our Season 7, a bonus episode from another podcast we think our listeners will want to hear: Long Shadow. Episode 1 of its newest season, In Guns We Trust, with host Garrett Graff.Mass shootings have plagued the U.S. for generations. But in 1999, when shots rang out in a suburban Denver school, it was different. What changed? Everything.

Bonus: Long Shadow, In Guns We Trust

What would it take, and what would it even mean, to heal from a wound like the Wilmington massacre and coup of 1898 — or from centuries of white supremacist violence, disenfranchisement, and theft? An exploration of that question with community members in Wilmington, and experts on restorative justice and reparations.

By Michael A. Betts, II and John Biewen. Interviews with Bertha Boykin Todd, Cedric Harrison, Christopher Everett, Kim Cook, William Sturkey, Inez Campbell-Eason, Sonya Bennetonne-Patrick, Candice Robinson, Paul Jervay,Kieran Haile, Larry Reni Thomas, William “Sandy” Darity, and Michelle Lanier. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

S6 E5: A Way Forward

After the massacre and coup of November 10, 1898, white supremacists in North Carolina soon finished the job of disenfranchising Black citizens and instituting Jim Crow segregation. They also took control of the narrative. A new propaganda campaign, the one after the fact, succeeded for a century – even as several Black writers tried to tell the truth about 1898 and left breadcrumbs for future historians to find.

By Michael A. Betts, II and John Biewen. Interviews with LeRae Umfleet, Gareth Evans, David Cecelski, William Sturkey, Chenjerai Kumanyika, Doug Jones, and Adriane Lentz-Smith. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

S6 E4: The Forgetting

On November 1898, North Carolina Democrats won a sweeping victory at the polls – confirming the success of their campaign based on white supremacy, intimidation, and fraud. But in Wilmington, the state’s largest city, white supremacist leaders were not satisfied. This episode tells what happened on November 10, 1898, in Wilmington: a massacre of Black men, and the only successful coup d'etat in U.S. history.

By John Biewen and Michael A. Betts, II. Interviews with LeRae Umfleet, Bertha Todd, William Sturkey, Cedric Harrison, and Milo Manly. Story editor: Loretta Williams. Voice actor: Mike Wiley. Music by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, Kevin McLeod, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

S6 E3: A Day of Blood

By 1898, two decades after the end of Reconstruction, white elites, backed by violent terror groups, have installed Jim Crow across most of the South. North Carolina, led by its largest city, Wilmington, is different. A Fusion coalition, made up of mostly-Black Republicans and mostly-White members of the Populist Party, controls the city and state governments. White supremacist Democrats are frustrated and plot to gain power by any means necessary. ​​

By Michael A. Betts, II, and John Biewen. Interviews with LeRae Umfleet, David Cecelski, and Cedric Harrison. The series story editor is Loretta Williams. Music in this episode by Kieran Haile, Blue Dot Sessions, Okaya, Jameson Nathan Jones, and Lucas Biewen. Art by Zaire McPhearson. “Echoes of a Coup” is an initiative of America’s Hallowed Ground, a project of the Kenan Institute for Ethics at Duke University.

Made in America (Seeing White, Part 3)

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