Seamus Perry and Mark Ford continue their series with a look at the life and work of W.B. Yeats, from his early quest for a mythological Irish culture, to his shift towards the Modernist experiment, and preoccupation with the ‘murderousness of the world’. To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: https://lrb.me/closereadings Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell. This episode was first published on the LRB Podcast in December 2021. Hosted on Acast. See acast.com/privacy for more information.

Modern-ish Poets Series 2: W. B. Yeats

Close Readings is a&nbsp;new&nbsp;multi-series podcast subscription from the&nbsp;London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. Listen to some episodes for free here, and extracts from our ongoing subscriber-only series.
How To Subscribe Apple Podcast users can sign up directly here: https://apple.co/3pJoFPq For other podcast apps, sign up here: lrb.me/closereadings
Close Readings Plus If you'd like to receive all the books under discussion in our 2024 series, and get access to online seminars throughout the year with special guests and other supporting material, sign up to Close Readings Plus here: https://lrb.me/plus
Running in 2024: On Satire with Clare Bucknell and Colin Burrow Human Conditions with Adam Shatz, Judith Butler, Pankaj Mishra and Brent Hayes Edwards Among the Ancients II with Emily Wilson and Thomas Jones There'll be a new episode from each series every month.
Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Arts

Literature

Performing Arts

Design

Food

Fashion & Beauty

Visual Arts

Education

Training

Language Courses

Higher Education

K-12

Educational Technology

Books

Courses

Shelley’s angry, violent poem was written in direct response to the Peterloo Massacre in Manchester in 1819, in which a demonstration in favour of parliamentary reform was attacked by local yeomanry, leaving 18 people dead and hundreds injured. The ‘masque’ it describes begins with a procession of abstract figures – Murder, Fraud, Hypocrisy – embodied in members of the government, before eventually unfolding into a vision of England freed from the tyranny and anarchy of its institutions. As Mark and Seamus discuss in this episode, ‘The Masque of Anarchy’, with its incoherence and inconsistencies, amounts to perhaps the purest expression in verse both of Shelley’s political indignation and his belief that, with the right way of thinking, such chains of oppression can be shaken off ‘like dew’. Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford. Sign up to the Close Readings subscription to listen ad free and to all our series in full: Directly in Apple Podcasts: https://lrb.me/ppapplesignup In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB: Seamus Perry: Wielded by a Wizard https://lrb.me/perrypp Thomas Jones: Hard Eggs and Radishes https://lrb.me/jonespp Hosted on Acast. See acast.com/privacy for more information.

Political Poems: 'The Masque of Anarchy' by Percy Bysshe Shelley



This is an extract from the episode. To listen in full and to our other Close Readings series, sign up: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Among the Ancients II: Plato

As Mary and Irina discussed in the previous episode of Medieval LOLs, fabliaux had an enormous influence on Chaucer, but outside of his work, only one survives in Middle English. Dame Syrith, a story of lust, deception and a mustard-eating dog, is medieval humour at its silliest and most troubling. Mary and Irina explore the surprising representations of old women, magic and consent in fabliaux, the poem’s possible role as a pedagogical tool, and medieval audiences’ love for the procuress trope.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings: Directly in Apple Podcasts: https://lrb.me/medlolapplesignup In other podcast apps: https://lrb.me/medlolscsignup Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Medieval LOLs: Dame Syrith

In A House for Mr Biswas, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work of postcolonial literature and a particularly powerful influence on Pankaj himself. They explore Naipaul’s fraught relationship to modernity, and the tensions between his attachment to individual freedom and his insistence on the constraints imposed by history. 
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide. Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Human Conditions: ‘A House for Mr Biswas’ by V.S. Naipaul

In The Beggar’s Opera we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard to cope with. John Gay’s 1727 smash hit ‘opera’, which ran for 62 performances in its first run, put the highwaymen, criminal gangs and politicians of the day up on stage, and offered audiences a tuneful but unnerving reflection of their own corruption and mortality. Clare and Colin discuss how this satire on the age of Walpole came about, what it did for its struggling author, and why it’s an infinitely elusive, strangely modernist work. This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford. Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Modern-ish Poets Series 2: W. B. Yeats

Download our free app to listen on your phone