What to do with the art of monstrous men? That’s the question Claire Dederer grapples with in Monsters: A Fan’s Dilemma. She wonders whether she can or should continue to love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? And if it’s possible to divorce the art from the artist. How do we now view the glorious, technicolour paintings of Paul Gauguin’s works from Tahiti? The writer Devika Ponnambalam has imagined the life of one of his muses Teha’amana in her latest novel, I Am Not Your Eve. Gauguin was 43 when he first arrived on the island in 1891 and made numerous teenage girls his ‘unofficial wives’. The science writer Michael Bond is interested in the psychology behind fandom. In his book Fans he looks at the pleasure of tribalism and sense of belonging, but also what happens when one’s hero falls short, and the cognitive dissonance needed to continue to stay true to a monstrous genius. Producer: Katy Hickman

Monster artist/monstrous art?

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The National Gallery in London is displaying Caravaggio’s last painting, The Martyrdom of Saint Ursula (until 21 July 2024), an extraordinary work depicting the violence and intense naturalism of the scene, and the painter’s revolutionary use of dramatic lighting. The curator Francesca Whitlum-Cooper says Caravaggio changed the art world in the 17th century. But the painter was as famous for his personal life as his art: he left murder and mayhem in his wake as he attempted to evade the law. For most of its existence The Martyrdom of Saint Ursula languished in private collections and was sold for just £3,500 in the 1970s, with few believing it was by Caravaggio. Now it’s been identified as an original it’s worth millions. The fortunes to be made and lost in the art market, the risks, the greed and the deals are the subject of Orlando Whitfield’s book All That Glitters. He details his friendship with the contemporary art dealer Inigo Philbrick, a young man whose spectacular rise is matched only by his dramatic fall, convicted and imprisoned for fraud owing $86.7 million. The art market is often shrouded in secrecy and is one of the very few unregulated markets left in the global economy. Angelina Giovani-Agha is an art historian who has specialised in provenance research. She understands that each painting has a story to tell and a unique record of acquisition. Her work involves investigating ownership history and highlighting any murky inconsistencies, as well as specialising in looted artworks. Producer: Katy Hickman

Art: market, money and malfeasance

As a new exhibition opens in Liverpool exploring the survival of bees Start the Week takes stock of the life and times of this extraordinary insect. The artist Wolfgang Buttress uses a fusion of art, science and technology to create a sensory experience of the sights and sounds of bees. Bees: A Story of Survival is on at the World Museum, Liverpool until May 2025. They’ve been around for over 120 million years and Lars Chittka, Professor of Sensory and Behavioural Ecology at Queen Mary University of London, says the thousands of different bee species have evolved a huge diversity of lifestyles and are some of the most intelligent animals on Earth. They not only use a symbolic language, can count, use tools and learn by observation, but are now believed to have an emotional hinterland. For millennia, bees have held a special significance in human culture.  Claire Preston, Professor of Renaissance Literature at QMUL, traces the symbolism of bees through historical and literary records, from ancient political analogies to today’s discussions about hive minds. While there are increasing fears about the future of bees as they battle exposure to pesticides, diseases and habitat destruction, Alison Benjamin is one of a growing number of people trying to raise awareness. She is the co-founder of Urban Bees and wants to shift the focus away from farmed hives of honey bees which are growing in popularity in cities, to the protection and survival of wild and solitary bees. Producer: Katy Hickman

Bees – culture and survival

May Day is the title of Jackie Kay’s new collection. The former Makar of Scotland explores a history of political protest, and the cultural influencers of the past, from Rabbie Burns to the poet Audre Lorde and Paul Robeson. She also celebrates the lives and activism of her parents, and grieves for their loss.  The Green MP Caroline Lucas wants to reclaim and rewrite England’s national story in her book, Another England. By exploring its radical tradition through its literary heritage she seeks to foreground the diverse writers and poets who spoke of a shared sense of identity and purpose, and a deep-rooted commitment to the natural world.  The journalist and writer Simon Heffer looks back a century to the interwar period, a time of radical transformation of British society post the Great War, as many of the old attitudes started to be swept away. In his history, Sing As We Go, he shows how the culture of the time both shaped and reflected these changes. Producer: Katy Hickman

Protest and patriotism

The astrophysicist Professor Lisa Kaltenegger is like an explorer of old, but her voyage takes her far from earth, planet hunting across the universe. She is Director of the Carl Sagan Institute to Search for Life in the Cosmos at Cornell University, and in her new book Alien Earths she describes the very latest discoveries of exoplanets which are the best contenders for harbouring alien life.  Claudia de Rham is Professor of Theoretical Physics at Imperial College London and in her book The Beauty of Falling she tells the story of gravity. From her personal experience of diving in the ocean and freefalling over the earth, to exploring the limits of Einstein’s general theory of relativity she seeks to understand both the feeling and the fundamental nature of gravity. If only all of physics could be so compelling! Professor Mark Fromhold is Head of Physics at Nottingham University and is campaigning for a change to the way pupils are taught, suggesting that quantum physics be incorporated into the curriculum. He argues that at present the subject is too earth-bound, and ‘dull as dishwater’. Producer: Katy Hickman

Alien life and gravity

London, and the river that runs through it, is at the heart of the new play London Tide, an adaptation of Charles Dickens’ Our Mutual Friend. Ben Power has adapted the novel and co-written original songs with the singer-songwriter PJ Harvey. He tells Adam Rutherford that although it combines the savage satire and social analysis of the original, it is, in essence, a love letter to the capital. London Tide is playing at the National Theatre until 22nd June. The award-winning architect Amanda Levete reflects on the challenges of designing buildings and public spaces in major historic cities around the world – taking into consideration the aesthetics of the built environment, whilst meeting the needs of the community and tackling sustainability. Amanda Levete considers the Pompidou Centre in Paris to be one of the twentieth century’s most iconic buildings and an inspiration for her own architectural practice. The journalist Simon Kuper takes stock of his adopted city, as Paris prepares for the Olympics. In Impossible City he explores today’s ‘Grand Paris’ project which aims to connect its much famed central areas with its neglected suburbs. Producer: Katy Hickman

Monster artist/monstrous art?

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