Clare and Colin begin their twelve-part series on satire with the big question: what is satire? Where did it come from? Is it a genre, or more of a style, or an attitude? They then plunge into their first text, The Praise of Folly by Desiderius Erasmus, a prose satire from 1511 that lampoons pretty much the whole of sixteenth century life in the voice of Folly herself.  This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings Find out about Close Readings Plus: lrb.me/plus Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford. Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

On Satire: What is satire?

Close Readings is a&nbsp;new&nbsp;multi-series podcast subscription from the&nbsp;London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. Listen to some episodes for free here, and extracts from our ongoing subscriber-only series.
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Running in 2024: On Satire with Clare Bucknell and Colin Burrow Human Conditions with Adam Shatz, Judith Butler, Pankaj Mishra and Brent Hayes Edwards Among the Ancients II with Emily Wilson and Thomas Jones There'll be a new episode from each series every month.
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As Mary and Irina discussed in the previous episode of Medieval LOLs, fabliaux had an enormous influence on Chaucer, but outside of his work, only one survives in Middle English. Dame Syrith, a story of lust, deception and a mustard-eating dog, is medieval humour at its silliest and most troubling. Mary and Irina explore the surprising representations of old women, magic and consent in fabliaux, the poem’s possible role as a pedagogical tool, and medieval audiences’ love for the procuress trope.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings: Directly in Apple Podcasts: https://lrb.me/medlolapplesignup In other podcast apps: https://lrb.me/medlolscsignup Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Medieval LOLs: Dame Syrith

In A House for Mr Biswas, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work of postcolonial literature and a particularly powerful influence on Pankaj himself. They explore Naipaul’s fraught relationship to modernity, and the tensions between his attachment to individual freedom and his insistence on the constraints imposed by history. 
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide. Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Human Conditions: ‘A House for Mr Biswas’ by V.S. Naipaul

In The Beggar’s Opera we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard to cope with. John Gay’s 1727 smash hit ‘opera’, which ran for 62 performances in its first run, put the highwaymen, criminal gangs and politicians of the day up on stage, and offered audiences a tuneful but unnerving reflection of their own corruption and mortality. Clare and Colin discuss how this satire on the age of Walpole came about, what it did for its struggling author, and why it’s an infinitely elusive, strangely modernist work. This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford. Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

On Satire: John Gay's 'The Beggar's Opera'

Elizabeth Barrett Browning’s deeply disturbing 1847 poem about a woman escaping slavery and killing her child was written to shock its intended white female readership to the abolitionist cause. Browning was the direct descendant of slave owners in Jamaica and a fervent anti-slavery campaigner, and her dramatic monologue presents a searing attack on the hypocrisy of ‘liberty’ as enshrined in the United States constitution. Mark and Seamus look at the origins of the poem and its story, and its place among other abolitionist narratives of the time. Sign up to the Close Readings subscription to listen ad free and to all our series in full: Directly in Apple Podcasts In other podcast apps
Read more in the LRB Matthew Bevis: Foiled by Pleasure Alethea Hayter: Reader, I married you John Bayley: A Question of Breathing Colin Grant: Leave them weeping Fara Dabhoiwala: My Runaway Slave, Reward Two Guineas Hosted on Acast. See acast.com/privacy for more information.

Political Poems: 'The Runaway Slave at Pilgrim's Point' by Elizabeth Barrett Browning

In the fifth episode of Among the Ancients II we turn to Greek lyric, focusing on Pindar’s victory odes, considered a benchmark for the sublime since antiquity, and the vivid, narrative-driven dithyrambs of Bacchylides. Through close reading, Emily and Tom tease out allusions, lexical flourishes and formal experimentation, and explain the highly contextual nature of these tightly choreographed, public-facing poems. They illustrate how precarious work could be for a praise poet in a world driven by competition – striking the right note to please your patron, guarantee the next gig, and stay on good terms with the gods.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

On Satire: What is satire?

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