Have you ever wondered how a conductor deciphers the individual musical parts and melodies from a whole opera score? In this episode, Stephen and Joanna deconstruct Richard Strauss’ monumental opera, Salome - a score which contains the so-called “most sickening chord in all opera”.

Stripping The Score

Joanna Lumley and her husband Stephen Barlow invite you into their home for a fascinating, funny journey into their shared love of music.
You probably know Joanna Lumley, but you may not be aware that her husband Stephen Barlow is a famed conductor, composer and musician - and the pair of them are passionate about classical music. On this, their new podcast, the pair welcome you into their home for a personal, fascinating and funny journey through a musical world. 
Joanna is the enthusiastic amateur - asking the questions she’s always wanted to ask - and Stephen is The Maestro, providing the answers. Who was better: Mozart or Beethoven? Why do certain pieces of music make us feel a certain way? What do conductors actually do? They also discuss the great composers and symphonies, and the often-remarkable stories behind them, all delivered in Joanna and Stephen’s unique, engaging and affectionate way. 
Maybe you think classical music isn’t for you? Or you know a little and want to know more? Or perhaps it's been a lifetime love? Regardless, you definitely need to meet Joanna & The Maestro.

Music

Music Commentary

This week Joanna and Stephen are joined by a very special guest, Stephen's personal piano tuner, David Widdicombe. From concert grands, upright 'domestics' and honkytonks, David has tuned them all. Having worked with the world's most prestigious piano maker, Steinway, for 3 decades David tells us about his life working alongside the world's most gifted players, how fractions of millimetres make all the difference and how to find the perfect 'temperament' from your own “Joanna”.

The Piano Tuner

This week we’re diving into two bohemian heroes of classical music, Bohuslav Martinů and Leoš Janáček. Stephen remembers encountering the music of Martinů at Cambridge, and being confronted by the "pure simple joy" of it. From the lyricism of Martinů, we work back towards Janáček – another gifted Czech composer – and get to grips with the fairy-tale essence of The Cunning Little Vixen, Sinfonietta and the exultant Glagolitic Mass. Strap in. The Bohemians have arrived.

The Bohemians: Martinů & Janáček

Which note could the Maestro not live without? Where are all the female composers? And is there a better quintet going than Franz Schubert's Trout? In this mini episode Joanna puts your questions to the Maestro.

Women Composers, the "Ol' 55" and the wonders of 'The Trout'

This episode is all about the written language of music, the 'hieroglyphs' or 'blobs on the stave'. Stephen and Joanna discuss the connection between reading music and words, elaborating on symbols, sounds, expression, speed and time signature. Stephen tests the boundaries of Joanna's musical literacy with a test and Wagner offers a 'moderate' interpretation of tempi.

A Few Blobs On A Stave

Which earworm keeps the Stephen from his bedtime reading? What's stopping Joanna from going to Glastonbury? Is the Maestro being clear enough for his engraver? In this mini episode Joanna and Stephen dive into the email inbox once again...

Stripping The Score

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