This much-loved hymn based on Psalm 23 has been set to music many times, including Brother James' Air and Crimond.  The Queen requested the Crimond version at her wedding. Harriet Bowes Lyon's tells the story that her mother, Lady Margaret Colville, ( formerly Lady Margaret Egerton) taught the descant to the Queen and Princess Margaret, and was summoned to sing it when, two days before the wedding, the descant music could not be found.  Howard Goodall, who wrote a new setting for 'The Vicar of Dibley' describes how he composed it in a taxi. Selina Scott says that the Crimond always puts her in mind of her Scottish grandmother. Contributors: 
Howard Goodall
Ian Bradley
Marion Dodd
Emily Badger 
Athena Kruger 
Esther Sternberg 
Selina Scott 
Harriet Bowes-Lyon 
Adrian Goldberg  First broadcast on BBC Radio 4 in 2015.

The Lord Is My Shepherd

Series about pieces of music with a powerful emotional impact

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Elton John's slow burner is now one of his most beloved tracks. Released in 1971 during a prolific period for Elton and Bernie Taupin, many people see themselves in the lyrics. Eliza Hewitt grew up in a strict household in Pennsylvania. During the tumultuous early 70s, her brother introduced her to the music of Elton John, and she's still a tiny dancer in her late 60s. Lee Hall wrote the screenplay for Rocketman, the Elton John biopic. He sees the song as a conversation between Elton and Bernie. Podcaster Kirk Hamilton takes us through the song's slow build to a chorus which feels as though it's never going to come. Judith Sibley's daughter Lily-Mae received a terrible diagnosis when she was just 4 years old. Along with her brother Paul and friend Steven, she channelled her efforts into recording a charity single for her ballet loving daughter, and Tiny Dancer was the obvious song. When Ava Forte Vitali and Drew Wood met and exchanged playlists they realised how much they had in common. So much so, that Tiny Dancer had to play a part in their wedding. Produced by Sally Heaven for BBC Audio in Bristol
Technical Producer: Ilse Lademann
Editor: Emma Harding.

Tiny Dancer

"I never felt magic crazy as this....." For some it's a beacon of hope, for others a metaphor for love.  'Northern Sky' is the penultimate track on Nick Drake's 1971 album 'Bryter Layter'.  The sound was shaped by the Velvet Underground's John Cale who added the piano, organ and celeste.  His records didn't sell well much to Nick's disappointment, but after his death in 1974 his music and genius became much better-known.  These are just some of the stories from whose lives have been profoundly touched by this iconic track.   Gordon Hunter had a difficult childhood and says hearing 'Northern Sky' brought a meditative sense of calm to his life, like "finding treasure." Nick Drake's producer Joe Boyd remembers how John Cale became involved in the recording, and his sadness that Nick never got the recognition he deserved in his own lifetime. Singer-songwriter Alex Hart took a job on the Covid-19 111 helpline during the first lockdown and listened to 'Northern Sky' on the drives home.  Alex covered the track for one of her albums. Musicians Neil MacColl and Kate St John fell in love on the 'Way To Blue' tour in 2011 and discuss their performance of 'Northern Sky' and Kate's string arrangements.  Neil walks us through Nick's guitar tunings and the song's lyrics. It's a song that reminds Laura Barton of spring and the first rush of love which she experienced as a student in Oxford. "Brighten my northern sky." Producer: Toby Field for BBC Audio Bristol
Technical Producer: Michael Harrison
Editor: Emma Harding

Northern Sky

"I can see clearly now the rain is gone / I can see all obstacles in my way / Gone are the dark clouds that had me blind / It's gonna be a bright / Bright sunshiny day" I Can See Clearly Now was written by the Houston-born singer-songwriter Johnny Nash. First released in 1972, it became a huge hit and the song has been covered by hundreds of artists, from the Jamaican singer Jimmy Cliff to the Irish rock group Hothouse Flowers.  For recording engineer and producer Luke DeLalio the original of the song is 'a masterpiece', with a sublime vocal performance and an arrangement that is surprisingly experimental for such an apparently simple song. Professor Kathy M. Newman of Carnegie Mellon University tells us about Johnny Nash's life and career, from his early years as a clean-cut crooner and teen idol, to his time recording in Jamaica and his later years, living on a ranch in Texas.  For author and psychologist Peggy DeLong it's a song of hope, resilience and love. It was once meant to be her wedding song but took on new significance after she lost her fiancé as a young woman in the 1990s.  The song appeared in Brenda Drumm's life when she needed it most. In a moment of darkness and worry, it came on the radio as she was driving home from a day of tests at the hospital near her home in County Kildare. It allowed her to dare to plan for the future.  Poet Jack Mapanje was detained in Malawi’s notorious Mikuyu Prison without charge from 1987 until 1991, under Hastings Banda's regime. He remembers singing the song when other political prisoners were released - "it's a song of hope".  And the author Joanne Harris talks about the song's "sense of perpetual sky" and how the lyrics provide grounding and comfort in troubled times.  Produced by Mair Bosworth for BBC Audio

I Can See Clearly Now

Written by George Gershwin for the musical Oh Kay, Someone To Watch Over Me has endured as a tender ballad about searching for someone special.  It has been recorded by many different artists from Ella Fitzgerald to Willie Nelson but it's perhaps Ella's version that is best known.
Lyn Mackay grew up listening to it as a small child at her parents' home in Swansea. As she grew up and became a musician and entertainer the song has changed its meaning to her over the years.
Nica Strunk heard her father singing it during one of their sessions at his piano.  As he sang the line "where is the shepherd for this lost lamb?" she began to understand the difficulties he faced in expressing his emotions and the song brought them closer together.
Nicholas McInerny loved Sarah Vaughan's version and his daughter sang it at his second wedding.
Music producers James Morgan and Juliette Pochin have been Ella Fitzgerald fans since they met as students and are thrilled to have been behind the most recent release of Someone To Watch Over Me using Ella's original vocals accompanied by the LSO. Producer: Maggie Ayre

Someone to Watch Over Me

Sweet Thing by Van Morrison has an atmosphere full of tenderness, wonder and joy. But underneath this there a feeling of transience, a melancholy sense of things coming to an end, and of inevitable change. It was written for his 1968 album Astral Weeks, at a time when the Northern Irish born Van had left his home country and was down-and-out in Boston, USA. We hear how the track has come to mean so much to so many.  Caroline Mellor from Brighton remembers an intense moment of hearing Sweet Thing whilst staying in the mountains of Andalucía, Spain.  Sammy Douglas, Councillor and current High Sheriff of Belfast, reflects on memories of the Troubles and how the song intertwines with the tale of his first love.  Ryan H. Walsh, Bostonian and author of Astral Weeks: A Secret History of 1968, explains how the seminal album Astral Weeks came about, and John Payne, flautist on Sweet Thing, shares memories of those extraordinary recording sessions with Van Morrison.  And singer-songwriter Alanna Joy from South Africa considers why she opens her live sets with her own rendition of Sweet Thing, and recalls hearing it for the first time through Jeff Buckley's cover. Produced by Eliza Lomas for BBC Audio in Bristol 
Technical Producer: Ilse Lademann
Editor: Emma Harding.

The Lord Is My Shepherd

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