Sally Rodgers from electronic musical duo ‘A Man Called Adam’ takes us to the Headland of Hartlepool to explore the landscape, culture and history which has inspired her music. As part of Wintertide Festival, the artists of the area have created installations, art and music inspired by their fishing heritage. We hear about the songs of the ‘gutter girls’ – women who gutted herring along the East Coast – which ‘A Man Called Adam’ have reworked into electronic soundscapes, to be played along the Wintertide Trail. Sally meets the curators and creatives at work transforming the Headland and learns more about how industry and culture here have been shaped by the features of this coastline. As dusk falls, the Headland is lit up as the Wintertide Festival begins. Produced by Helen Lennard The Gutter Girls project was commissioned and funded for Wintertide Festival by Tees Valley Festivals Volunteering.

Wintertide in Hartlepool

Countryside magazine featuring the people and wildlife that shape the landscape of the British Isles

Science

Jude Piesse moved to Shrewsbury in Shropshire when her job changed, but it was only when she went for a walk alongside the river near her new house that she discovered she was living beside what had once been the garden where Charles Darwin spent his childhood. Much of the original 7 acres of the garden has been built on, but the original house, The Mount, still exists. It has been used as offices for many decades and has only recently been bought and is being renovated with a view to opening it up to the public with a museum and café.  Whilst some local people know about the existence of the house and garden, most people associate Charles Darwin with Down House in Kent where he brought up his own family. Inspired by her discovery, Jude researched the story of the house and garden, learning about the women and the gardeners who were also a part of Darwin's upbrigning.   What becomes clear in this revealing journey is the enormous influence the garden had on a young boy in inspiring his curiosity and fascination with the natural world, which ultimately led to the publication of The Origin of Species.   Featuring Bibbs Cameron, researcher at Shrewsbury Civic Society; John Hughes, Darwin House Museum Project Manager and Dr Cath Price, Engagement Officer at Shropshire Wildlife Trust.  Producers: Eliza Lomas and Sarah Blunt. For BBC Audio in Bristol.

Darwin's Childhood Garden

Martha Kearney hears stories of recovery from the Firth of Forth. First, she takes to the water with guide Maggie Sheddan and skipper John McCarter to explore the iconic Bass Rock, a volcanic island just beyond the shores of North Berwick in East Lothian. A decade ago, Bass Rock became the world’s largest colony of Northern gannets, home to over 75,000 breeding sites. Then, in 2022, Avian Flu hit the colony at the height of the breeding season. By 2023, the total population was estimated at just under 52,000 breeding sites, a decrease of over 30% from the count in 2014. But now, at the beginning of a new breeding season, hope is in the air as the gannets return to the rock.  Meanwhile, back on dry land, another story of recovery unfolds. Over the winter months, North Berwick was hit by huge storms. Four-metre waves, in combination with spring tides, left behind a huge hole in the harbour wall. Martha speaks to Andrew Duns from the North Berwick Harbour Trust and harbour master Ricky Martin about the repairs that are now underway. The storms also shifted the sand dunes on the beaches around North Berwick. Emma Marriott, Conservation Assistant at the Scottish Seabird Centre, tells Martha about the post-storm beach cleans which unearthed ancient litter from the 1960s.  Presented by Martha Kearney 
Produced by Becky Ripley

Diving Gannets and Raging Seas

Up until the 1970s, postmen and women in rural areas walked their delivery rounds - taking routes through the hills dubbed "postal paths". Some routes, and fragments of others, still survive today. In this programme Helen Mark explores one of them, near the village of Shap in Cumbria, with author Alan Cleaver who is writing a book about these old paths. So far he's identified over thirty of them up and down the UK. Others have now been built over and are gone forever. Alan tells Helen about the cultural significance of the postal service in the past, recounting the poignant story of a man who used to write letters to himself, just so that the postman would call by and he would have a visitor. Alan and Helen discuss the disappearing role of postmen and women, in the age of electronic communication.  Helen also explores part of Shap's old Corpse Road, which linked Swindale Head with Mardale - a village which didn't have its own cemetery until the mid 18th century. Before that, bodies had to be carried over the fells to Shap for burial - a distance of about eight miles. The last body was carried along the Corpse Road in 1736. Local historian Jean Scott-Smith tells the story of the Corpse Road and shows Helen part of the route. Produced by Emma Campbell

Postal Paths and Corpse Roads

The Broomway has been dubbed the “deadliest footpath in Britain”, claiming more than a hundred lives.  Helen Mark takes a cautious walk along this treacherous Essex seapath with Peter Carr and John Burroughs from the Foulness Island Heritage Centre.  She’ll hear how people can easily become disoriented on the vast mud flats and tragically caught out by the rapidly advancing tides of the Thames Estuary.  Helen will also be joined by Thea Behrman, the director of the Estuary Festival, to reflect on how this meeting point of land and sea can provide creative inspiration through its bleak beauty.  Presented by Helen Mark
Produced by Robin Markwell

Britain’s deadliest footpath

Rose Ferraby joins geologist Dr Claire Cousins, visual artist Ilana Halperin and art historian Dr Catriona McAra as they explore the artistic and scientific terrains of both Orkney and the planet Mars. From the windswept Orcadian cliffs to the Martian landscape, they discover the surprising similarities of these two locations and explore how both science and art can interpret time, space and history in new and insightful ways. Produced by Ruth Sanderson

Wintertide in Hartlepool

Download our free app to listen on your phone