Coky Giedroyc’s HOW TO BUILD A GIRL, based on British humorist Caitlin Moran’s own life as a teenage music writer in the British Midlands, plays in many ways like Cameron Crowe’s mostly autobiographical ALMOST FAMOUS, translated to a new time and place. But it’s also a different sort of coming-of-age story about a very different sort of protagonist, based on the life of a very different sort of writer, all of which we get into by way of the two films’ respective approaches to writing and journalism, to family and origin stories, and to their respective love interests. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.

Please share your comments, thoughts, and questions about ALMOST FAMOUS, HOW TO BUILD A GIRL, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. 

Your Next Picture Show:

Genevieve: Tayarisha Poe’s SELAH AND THE SPADES

Scott: Todd Berger’s IT’S A DISASTER

Keith: Todd Haynes’ DARK WATERS and Jane Campion’s IN THE CUT

Tasha: “A Boy’s Life (In Sex, Drugs, and Rock & Roll)” by Anthony Bozza (rollingstone.com) and Caitlin Moran’s MORANIFESTO and HOW TO BE A WOMAN

Outro music: Lily Allen: “Alfie”

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