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I meet Paola Fernanda Guzmán Figueroa in Oodi library in Helsinki, to talk about her video work Nanita, para siempre. Paola explains how her Colombian roots grew stronger while living in Finland, and how she keeps a close connection to her family by making them a focal point in her art. We discuss different techniques for working with film- and video, and Paola talks about the process, and feeling, of making one thousand drawings of her grandmother for the animation film projected in the library. We also talk about showing art in public spaces not created for exhibitions, and how an audience reacts differently when they are surprised by art rather than looking for it.
Paola's website
Paola's Instagram
Kino Club's Instagram
Kino Club's Facebook page
Oodi's website
ALA Architects' website
Hosted on Acast. See acast.com/privacy for more information.
By Xenia RammI meet Paola Fernanda Guzmán Figueroa in Oodi library in Helsinki, to talk about her video work Nanita, para siempre. Paola explains how her Colombian roots grew stronger while living in Finland, and how she keeps a close connection to her family by making them a focal point in her art. We discuss different techniques for working with film- and video, and Paola talks about the process, and feeling, of making one thousand drawings of her grandmother for the animation film projected in the library. We also talk about showing art in public spaces not created for exhibitions, and how an audience reacts differently when they are surprised by art rather than looking for it.
Paola's website
Paola's Instagram
Kino Club's Instagram
Kino Club's Facebook page
Oodi's website
ALA Architects' website
Hosted on Acast. See acast.com/privacy for more information.