Alison Brie had one of the luckiest big breaks in the history of television. Before the age of 30, she managed to simultaneously co-star on TV’s most celebrated drama (‘Mad Men’) and most obsessed over comedy (‘Community’) before the age of 30. In the seven years since those two shows ended their iconic runs, she has gone toe-to-toe with both comedy stars like Will Ferrell and acting legends like Meryl Streep on the big screen and rose to the top of the call sheet in her beloved Netflix series ‘GLOW.’ In this episode, Brie talks about making the move to indie film screenwriting with ‘Horse Girl’ and now her Italy-set comedy ‘Spin Me Round.’ She also addresses whether fans can expect to see Chevy Chase in the eventual ‘Community’ movie, explains why she felt the need to apologize for her voice work on ‘Bojack Horseman’ and a lot more.
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Alison Brie: ‘Community’ to ‘Spin Me Round’

Welcome to ‘The Last Laugh’: Real conversations with really funny people. Every Wednesday, The Daily Beast’s Matt Wilstein interviews some of the biggest names in comedy—as well as the new voices crashing the party—about what it’s like to make people laugh during this current cultural and political moment. Hosted on Acast. See acast.com/privacy for more information.

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Laura Benanti has been nominated for five Tony Awards (with one win) and appeared in dozens of TV shows and movies since making her Broadway debut at 19 years old as Maria in ‘The Sound of Music.’ But as the title of her new solo stage show attests, she still reminds herself on a daily basis that ‘Nobody Cares’ about her many accomplishments. In this episode, Benanti talks about mining her most embarrassing life stories for musical comedy in her new show, which returns to the New York stage and premieres on Audible next month. She also reveals how playing Melania Trump on ‘The Late Show with Stephen Colbert’ finally made people take her “seriously” as a comedic actress and what she thinks is going through the former first lady’s head as her husband stands trial for paying hush money to porn star Stormy Daniels.
But first, Matt and Allegra break down Conan O’Brien’s triumphant (or is it?) streaming premiere after his decades-long run on late-night TV with the new travel series ‘Conan O’Brien Must Go’ on Max. 
Come to a live taping of The Last Laugh podcast with special guest Mae Martin at Netflix Is a Joke Fest on May 8.
Get tickets for Laura Benanti: Nobody Cares at Audible.com
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Laura Benanti Tells All! | Plus: ‘Conan O’Brien Must Go’

Demetri Martin just put out his first new stand-up hour in six years. But when he sits down for this interview with The Last Laugh podcast, he’s about to tape the second of what will be a trilogy of specials for Netflix. It’s quite a comeback moment for the (shockingly) 50-year-old comedian, who has remained mostly out of the spotlight in recent years as provocative, autobiographical stand-up comedy has overtaken the one-liner “joke machine” style that he has been honing for more than half of his life. In this episode, Martin breaks down the meta-concept behind his new ‘Demetri Deconstructed’ special, reveals why he started bringing drawings on stage, shares his take on some of the more concerning comedy trends and a lot more. 
Plus, Matt and Allegra take on the state of ‘Saturday Night Live’ and why this past weekend’s Ryan Gosling-hosted episode was the show at its very best. 
Follow Demetri Martin on Twitter @DemetriMartin and Instagram @demetrimartinofficial Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
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Demetri Martin ‘Deconstructed’ | Plus, What’s Up With SNL?

Alex Edelman was having a hectic week before an unexpected earthquake briefly knocked out the internet in his New York apartment just before our podcast taping. “I feel crazy every day,” Edelman admits on the eve of his solo show, ‘Just for Us,’ premiering on HBO. “But also, this is what a comedian wants for his work. I’m very verklempt.” In this episode, the 35-year-old Jewish comic shares the unique challenges of bringing his story about attending a white supremacist meeting in Queens to the stage and screen, including the sudden death of his director just before opening on Broadway and how performing a show about antisemitism changed after October 7th. Edelman also discusses the surreal experience of getting notes from comedy heroes like Steve Martin, Jerry Seinfeld and Billy Crystal, tells a story about the time he baffled Mel Brooks by calling him “woke” to his face, and teases his next stand-up hour on the Israel-Gaza war. 
But first, Matt and Allegra break down the series finale of ‘Curb Your Enthusiasm,’ including an unsentimental goodbye to Richard Lewis and a surprising twist on the infamous ‘Seinfeld’ ending.
Follow Alex Edelman on Twitter @alexedelman and Instagram @alexedelman Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
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Alex Edelman on ‘Just for Us’ | Plus, ‘Curb Your Enthusiasm’ Series Finale!

It’s been six years since W. Kamau Bell’s last special ‘Private School Negro’ premiered on Netflix. And after hosting CNN’s ‘United Shades of America’ for seven seasons and directing two hit documentaries, he’s not totally sure that he should still be considered a stand-up comedian. In his third appearance on the podcast—taped in-studio in his native Oakland—Bell speaks frankly about his ambivalence around pursuing the life of a comic right now and why he keeps finding himself on stage, especially as the 2024 election heats up. Bell discusses comedy’s role in the Biden vs. Trump rematch, why comedians like Joe Rogan have embraced third-party spoiler RFK Jr., the fallout from his ‘We Need to Talk About Cosby’ docuseries and a lot more. 
But first, The Daily Beast’s Allegra Frank joins host Matt Wilstein to answer some burning questions about the first episode of ‘Jerrod Carmichael Reality Show.’ How real is it? Is the identity of the anonymous masked man supposed to be so obvious? And why do we find this deeply sad show so funny? 
Follow W. Kamau Bell on Twitter @wkamaubell and Instagram @wkamaubell Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
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W. Kamau Bell Returns! Plus, ‘Jerrod Carmichael Reality Show’

It’s been more than a decade since Tig Notaro broke through in a big way by walking onto the stand-up stage in Los Angeles and telling her audience, “Hello, I have cancer.” And for better or worse, she has even more medical scares to joke about in her latest special ‘Hello Again,’ streaming now on Amazon Prime Video. In this episode, which marks the five year anniversary of The Last Laugh, Notaro returns to the podcast to discuss how she manages to keep finding humor in these terrifying life experiences. The comedian also opens up about collaborating with her wife Stephanie Allyne, who directed the new special, getting heckled by her twin boys at a charity event, mining her awkward interactions with celebrity friends for comedy and a lot more. 
Stream Tig Notaro’s ‘Hello Again’ on Amazon Prime Video
Pre-order David E. Low’s ‘Transgressive Humor in Classrooms’ (20% off with code EFLY01)
Follow Tig Notaro on Twitter @TigNotaro and Instagram @therealfluffnotaro Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod
Highlights from this episode and others at The Daily Beast 
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Alison Brie: ‘Community’ to ‘Spin Me Round’

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