“Anna Moschovakis takes the reader straight to the terrifying edge: that moment where one ages out of youthfulness & begins to flutter in the debris of middle living, flattened out by technology, wild-goose chasing one’s data. Yet, the deeper we look into Eleanor’s unsettledness, the more we see & the more hope we find in […]

Anna Moschovakis : Eleanor or The Rejection of the Progress of Love

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One might ask, just what is Danielle Dutton’s latest book, Prairie, Dresses, Art, Other? A collection of stories, a philosophical essay, a sequence of nested dreams and memories, an act of loving citation, a one-act play of silent animals, a meditation on the human in the more-than-human world, on the end of the world, on […]

Danielle Dutton : Prairie, Dresses, Art, Other

Today’s guest is one of the most important and celebrated writers in Australia today, Alexis Wright. We look together at the ways Wright reshapes the novel form to honor Aboriginal notions of story, of time, and of scale. To find a different sound and voice for the novel, one that is multiple and collective. both […]

Alexis Wright : Praiseworthy

Over the past fifteen years, Nam Le has published a book in each genre. Best known for his phenomenal 2009 debut story collection The Boat, he followed it with his 2019 debut nonfiction On David Malouf, and now, this year, his debut poetry collection 36 Ways of Writing a Vietnamese Poem. What is remarkable about […]

Nam Le : 36 Ways of Writing a Vietnamese Poem

Writer, interdisciplinary artist, editor and publisher Anne de Marcken discusses her new book It Lasts Forever and Then It’s Over. Winner of the Novel Prize, and thus published simultaneously in the U.S., U.K., and Australia, by New Directions, Fitzcarraldo Editions and Giramondo respectively, de Marcken’s new book is a deeply philosophical and metaphysical, heartbreakingly funny […]

Anne de Marcken : It Lasts Forever and Then It’s Over

Award-winning poet Canisia Lubrin talks about her debut fiction, Code Noir. The fifty-nine stories in this collection are each prefaced by one of Louis XIV’s fifty-nine “Black codes,” the rules of conduct in France and its colonies regarding slaves and slavery. And each of these codes, each of these edicts, is also engaged with, manipulated and […]

Anna Moschovakis : Eleanor or The Rejection of the Progress of Love

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