Richard Powers’s PLAYGROUND is a 2025 Audie Award Finalist for Audiobook of the Year. We’re revisiting host Jo Reed and AudioFile’s Alan Minskoff’s discussion of how the six narrators' words flow forth, immersing the listener in four central characters and the minute details that comprise their respective worlds. Sections lack titles or labels, so the distinct voice of each narrator is key to distinguishing which story is which. The performances of narrators Edoardo Ballerini, Robin Siegerman, Eunice Wong, Pun Bandhu, Krys Janae, and Kevin R. Free are equally deft; in fact, there is a consistency in pace and tone that makes this complex story accessible.

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Adjoa Andoh narrates a short story collection of speculative fiction by Ann Leckie. We’re revisiting host Jo Reed and AudioFile’s Emily Connelly discussion of this 2025 Audie Award Finalist in Science Fiction. This collection includes works in the worlds of the Imperial Radch and the Raven Tower, as well as stand-alone pieces. Andoh’s stellar skills are on display in every piece, making the stories of gods, humans, and other assorted beings incredibly compelling. A stunning performance by a master narrator.

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We’re revisiting this discussion from Jo Reed and AudioFile’s Emily Connelly about this 2025 Audie Award Finalist in Science Fiction. Kevin R. Free is the perfect voice for Murderbot, the rogue security unit who would rather just be watching serials, but is protecting its humans — and having a mental breakdown. In a story that takes place immediately after NETWORK EFFECT, Murderbot, ART, and their humans continue to assist colonists on a planet marked for corporate salvage. Free’s depiction of Murderbot’s unresolved mental trauma is harrowing, especially as it digs into its memories to find the possible sources. There is plenty of action, too, as the team faces possible corporate and alien dangers and corruption

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Grant Overstake’s audio drama details racial strife in Wichita, Kansas, in 1968. We’re revisiting Jo Reed and AudioFile’s Alan Minskoff’s discussion of this 2025 Audie Award Finalist in Young Adult. A seventh-grade boy’s life becomes upended when a Black family moves in next door. The narrators of this fraught coming-of-age story are excellent. The audio drama has moments of remarkable verisimilitude: from the play-by-play announcing of a basketball game to the whirring of a helicopter in Vietnam. Performed by a gifted cast, this slice of our history stays with the listener.

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Ramiz Monsef performs Taylor Brown’s historical novel set during the Battle of Blair Mountain in the early 1920s. We’re revisiting Jo Reed and AudioFile’s Kendra Winchester’s discussion about this 2025 Audie Award Finalist in Fiction that will keep listeners on edge until the very last second. Lebanese American “Doc Moo” Muhanna serves as a medical doctor during the Mine Wars. Monsef’s narration enlivens the characters as they give listeners various perspectives on these historical events. Monsef skillfully performs many different accents, and maintains the tension as the action of the novel picks up.

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We’re revisiting our conversation about KNIFE, a finalist for Narration by the Author in the 2025 Audie Awards. Narrating his own work, Salman Rushdie offers an emotionally resonant account of the shocking knife attack that almost ended his life. Host Jo Reed and AudioFIle’s Michele Cobb discuss his memoir of the attack, its immediate aftermath, and the difficult recovery. Interwoven throughout are musings on literature, writing, politics, friendship, religion, and more, delivered with passion and more than a little humor. Wide-ranging and deeply insightful, this meditation on life, love, and resilience makes for compelling listening.

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AudioFile’s Leslie Fine and host Jo Reed discuss how this brief novel set in a small Irish town in 1985 is no bucolic Irish tale. Aiden Kelly gives a masterful narration. Bill Furlong, the son of an unwed mother and now a coal merchant with a family, leads a comfortable life.During a coal delivery to the town’s convent, he finds a young woman locked and freezing in an outbuilding. As he learns more, he is shaken by the fate of the occupants of the Magdalene schools/laundries for unwed mothers and their babies. 

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The stories in this audiobook collection have subjects as wide as the list of narrators is long, and the result is excellent. AudioFile’s Leslie Fine and host Jo Reed discuss how there is not a weak performance, and each narrator is perfectly suited to his or her story. “Radiolab: Singularities,” with its multiple narrators, makes great use of the audio format. Whether it’s Zachary Chastain’s outstanding dialogue in “August in the Forest,” or Nick Offerman’s ominous “Journal of Thomas Thurber,” or some other work, each title leaves a distinct emotional impression. The result is a truly transporting experience.

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Grief is a looming presence in this audiobook. The three Blue sisters try to move on after the death of Nikki, their vivacious and beloved fourth sibling. AudioFile’s Leslie Fine and host Jo Reed discuss how Kit Griffiths narrates the sisters' parallel stories with a measured cadence, conveying the survivors' internal and external struggles as they wrestle with the past and try to salvage their futures. Overall, Griffiths offers a strong narrative voice, but she keeps the listener at a distance. 

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Literary skill ensured Charlotte Brontë's place in the "classics" category, and this audiobook delves deeply into her life and times. AudioFile’s Leslie Fine and host Jo Reed discuss how Lucy Scott is the consummate British narrator, with a brisk pace and animated tone that remain consistent through an extensive audio performance. Supporting cast members are used well to voice various primary sources; these moments highlight the quotations and break up considerable blocks of research and explanation. The transitions among the supporting voices are seamless. 

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