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Dissonance, queer culture, and Providence architecture in artist Ian Cozzens’ prints
On this week’s show: A profile of artist Ian Cozzens.
Cozzens moved to Providence in 1999, and quickly started making screen prints for bands, art gallery shows, and community events. He also documented the buildings of Providence, using his architectural training to depict a half-demolished mill in Eagle Square and the three smokestacks of a power station on the Providence River. Since then, he moved on to screen prints depicting a single word, including “dissonance” and “QUEERS!” His latest installation at Angell Street Galleries is called “Reality.”
Also, Barnaby Evans and Emily Gray from WaterFire Providence remember the life and work of Rhode Island painter Gretchen Dow Simpson.
On this week’s show: A profile of artist Ian Cozzens.
Cozzens moved to Providence in 1999, and quickly started making screen prints for bands, art gallery shows, and community events. He also documented the buildings of Providence, using his architectural training to depict a half-demolished mill in Eagle Square and the three smokestacks of a power station on the Providence River. Since then, he moved on to screen prints depicting a single word, including “dissonance” and “QUEERS!” His latest installation at Angell Street Galleries is called “Reality.”
Also, Barnaby Evans and Emily Gray from WaterFire Providence remember the life and work of Rhode Island painter Gretchen Dow Simpson.
The post Dissonance, queer culture, and Providence architecture in artist Ian Cozzens’ prints appeared first on TPR: The Public's Radio.
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On this week’s show: A profile of artist Ian Cozzens.
Cozzens moved to Providence in 1999, and quickly started making screen prints for bands, art gallery shows, and community events. He also documented the buildings of Providence, using his architectural training to depict a half-demolished mill in Eagle Square and the three smokestacks of a power station on the Providence River. Since then, he moved on to screen prints depicting a single word, including “dissonance” and “QUEERS!” His latest installation at Angell Street Galleries is called “Reality.”
Also, Barnaby Evans and Emily Gray from WaterFire Providence remember the life and work of Rhode Island painter Gretchen Dow Simpson.
On this week’s show: A profile of artist Ian Cozzens.
Cozzens moved to Providence in 1999, and quickly started making screen prints for bands, art gallery shows, and community events. He also documented the buildings of Providence, using his architectural training to depict a half-demolished mill in Eagle Square and the three smokestacks of a power station on the Providence River. Since then, he moved on to screen prints depicting a single word, including “dissonance” and “QUEERS!” His latest installation at Angell Street Galleries is called “Reality.”
Also, Barnaby Evans and Emily Gray from WaterFire Providence remember the life and work of Rhode Island painter Gretchen Dow Simpson.
The post Dissonance, queer culture, and Providence architecture in artist Ian Cozzens’ prints appeared first on TPR: The Public's Radio.
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