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That age-old question haunts every book lover who's watched their favorite novel get adapted to film: "Is the book really better?" For Shirley Jackson's masterpiece "The Haunting of Hill House" and its 1999 film adaptation "The Haunting," the answer is complicated by fascinating behind-the-scenes copyright issues that forced filmmakers to create something almost entirely different from both the source novel and the beloved 1963 film adaptation.
Orlando and I dive into this strange case study, exploring how a psychologically complex novel about a lonely woman named Eleanor finding belonging in a subtly unsettling house transformed into a bombastic late-90s horror film featuring ghost children, CGI griffins, and Catherine Zeta-Jones in increasingly revealing outfits. The discussion reveals how the film's inability to officially remake the 1963 version led to bizarre creative choices - from making Eleanor a direct descendant of the house's builder to filling the mansion with elaborate supernatural rooms that defy architectural logic.
What makes this comparison particularly interesting is how the changes shift the entire nature of the story. Jackson's novel leaves readers questioning how much of the haunting might exist in Eleanor's mind, creating an enduring sense of unease about Hill House itself. The film discards this ambiguity entirely, presenting explicit supernatural manifestations and a clear villain in Hugh Crane (not Craine, as in the book), culminating in an effects-heavy showdown involving the literal gates of hell installed in the mansion for reasons never adequately explained.
Despite their criticism of the adaptation, we both acknowledge our nostalgic attachment to the 1999 film and suggest it can be enjoyed as campy entertainment if viewed completely separate from its source material. Whether you're a literary horror fan or just curious about the adaptation process, this episode offers a fascinating look at how Hollywood transforms subtle psychological terror into something very, very different. Ready to decide which version of Hill House you'd rather visit? Listen now and join the conversation about books, movies, and the strange journeys between them.
All episodes of the podcast can be found on our website: https://booksvsmovies.buzzsprout.com/share
Connect with me: Instagram | Threads | Bookshop | Goodreads | Blog
By Lluvia5
33 ratings
Send us a text
That age-old question haunts every book lover who's watched their favorite novel get adapted to film: "Is the book really better?" For Shirley Jackson's masterpiece "The Haunting of Hill House" and its 1999 film adaptation "The Haunting," the answer is complicated by fascinating behind-the-scenes copyright issues that forced filmmakers to create something almost entirely different from both the source novel and the beloved 1963 film adaptation.
Orlando and I dive into this strange case study, exploring how a psychologically complex novel about a lonely woman named Eleanor finding belonging in a subtly unsettling house transformed into a bombastic late-90s horror film featuring ghost children, CGI griffins, and Catherine Zeta-Jones in increasingly revealing outfits. The discussion reveals how the film's inability to officially remake the 1963 version led to bizarre creative choices - from making Eleanor a direct descendant of the house's builder to filling the mansion with elaborate supernatural rooms that defy architectural logic.
What makes this comparison particularly interesting is how the changes shift the entire nature of the story. Jackson's novel leaves readers questioning how much of the haunting might exist in Eleanor's mind, creating an enduring sense of unease about Hill House itself. The film discards this ambiguity entirely, presenting explicit supernatural manifestations and a clear villain in Hugh Crane (not Craine, as in the book), culminating in an effects-heavy showdown involving the literal gates of hell installed in the mansion for reasons never adequately explained.
Despite their criticism of the adaptation, we both acknowledge our nostalgic attachment to the 1999 film and suggest it can be enjoyed as campy entertainment if viewed completely separate from its source material. Whether you're a literary horror fan or just curious about the adaptation process, this episode offers a fascinating look at how Hollywood transforms subtle psychological terror into something very, very different. Ready to decide which version of Hill House you'd rather visit? Listen now and join the conversation about books, movies, and the strange journeys between them.
All episodes of the podcast can be found on our website: https://booksvsmovies.buzzsprout.com/share
Connect with me: Instagram | Threads | Bookshop | Goodreads | Blog