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What wouldn't brighten the tail end of winter but some profound psychological chaos, despair and dread? So we're taking on a couple of Ingmar Bergman films, beginning with 1972's Cries and Whispers. We discuss the brilliant color cinematography of Sven Nykvist, the complex bonds between women and seeking freedom in the liminal spaces between life and death. You know, nice, lighthearted spring fare.
By Quiet Little Horrors5
33 ratings
What wouldn't brighten the tail end of winter but some profound psychological chaos, despair and dread? So we're taking on a couple of Ingmar Bergman films, beginning with 1972's Cries and Whispers. We discuss the brilliant color cinematography of Sven Nykvist, the complex bonds between women and seeking freedom in the liminal spaces between life and death. You know, nice, lighthearted spring fare.