HEY! did you join the patreon yet? I’d be most grateful if you’d consider it! I’m adding loads of sounds and goodies so hop on if you’re a fan of the show! https://www.patreon.com/HOWA and now LETS GET ON WITH THE SHOW! ___________ BOYS NOIZE speaks! I’ve been wanting to chat with Alex for AGES, all we needed was a nice long lock down to make it possible ! He’s a wonderful prolific musician who’s made a bunch great records alone AND remixed some monsters like Depeche Mode, Daft Punk, David Lynch and tons more. He’s collaborated with my pal Chilly Gonzales, an unknown artist called Skrillex, Hudson Hohawke, Spank Rock and recently even lady Gaga. Wild!! In this chat we get deep into the truth behind all this making. Come and get the real info here.  This episode is arguably a very long nitty and it's dedicated to the makers of the heavy jams who want to know how it's actually done. This is a deep and heady chat with one of the masters of the banger.  Yup!  I get into a phase in the nitty but not THAT kind.  Music comes from Andy Rivas check it out here: https://andyrivas.bandcamp.com Thank you to the wonderful hologram electronics for their kind show sponsorship. The microcosm pedal is wild!! Check it ! https://www.hologramelectronics.com    

HOWA EP 82 - BOYS NOIZE

My name is Jamie Lidell and I'm gonna delve into the heady magic of creating music in a modern studio, probe the depths of production, get tech crazy with mixing tricks, studio skills and equipment. I'll be joined by fellow musicians, engineers and all-round audiophiles who kindly share their tips, stories and ingenious insight from the bizarre world of music production. I shall answer questions and seek knowledge from other music makers on a quest to discover how to make things sound RIGHT. I will also share some studio trickery on each episode as I explore some of my favourite innovations in music tech and my creations... outpourings from the weirdo brain! Welcome to a place for musicians, producers and listeners alike as we "cheers" our love of everything audio.

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were you the co-developer of ableton live? ah no but Mr Henke very much was. Think about that for a minute. It’s easy to forget as he’ll never bring it up without being prompted. He’s not big on the dwelling and far more interested in his current obsessions. Special interests (SPINS) as they are called are the things driving the REAL artists of which Robert is most certainly one. I had one “job” interviewing him at this time. We were supposed to talk about the re-release of a classic monolake (Robert’s musical moniker) LP “Hong Kong” on Field Records. There was a hint of that here. It loomed in the fog over the hills as we, the ramblers, became fascinated by objects more close at hand. His tremendous work with the commodore PET platform as a primitive yet potent synth and drum machine for example. His encounters with the art world (which he is not fond of) his dislike of the infernal machine reverb ! ha. (also not fond it seems) His connection to the tonal land of the PPG wave and the Synclavier (yes, he’s fond) ah yes I loved reconnecting with him after all these years. He was always a brilliantly bright mind and continues to probe his passions to deliver wildly unique sound and light shows that stand apart from his peers. oh and dont forget he’s the co-developer of ableton live!

HOWA EP 122 - ROBERT HENKE

With 20 albums under his own name and his instrumental group Cosmo, the man knows how to make a record. He is a wildly accomplished and successful songwriter. For example in 2003 Harris he received the Grammy Award for Song Of The Year for Norah Jones’ breakout hit “Don’t Know Why,” from her debut album, Come Away With Me, which has sold almost 30 million copies worldwide. Versions of his songs have been sung by artists as diverse as Willie Nelson, Emmylou Harris, Cat Power, Feist, The Black Keys, M. Ward, Brad Mehldau, Bright Eyes, Smokey Robinson, George Benson, Pat Metheny, Kandace Springs, and Solomon Burke. I mean WHAT a list that is! Songwriting collaborations have included Maya Hawke, John Zorn, Madeleine Peyroux, Melody Gardot, Papooz, and Lana Del Rey. If you didnt think you knew Jesse, I bet you’ve heard his writing out there in the known universe of sound and by gosh he’s a real potent force. Even after all this success, he is very mild mannered and thoughtful in this nice rambling interview. He’s generous with his knowledge and a very easy guy to get along with. I must say I hang my pod head slightly when reflecting on how old this interview is. Like a fine wine, I hope it’s benefited from a little time in the digital cellar. Drink in the wisdoms y’all !

HOWA EP 121 - JESSE HARRIS

I met Jim thanks to the wonderful master of mastering Heba Kadry who's based in New York (whi btw that just finished mastering my new LP!)  She used him to assist in the making of her room and that set me on a journey to get my place into shape too. Him and his team at Sondhus did an excellent job and I've been loving my light and airy attic so much! I've talked about my space a little on the show and I've shared a few pics and videos from the spot so there's evidence of it out there.  I look forward to being in here every day.  Jim's story is really interesting and it's an angle that's not been covered thus far on the pod.  He has knowledge and passion on all manner of issues relating to studio spaces, from the flow to the sound and the minimal aesthetic that is a through line in his work.  He's made rooms for Martin Gore, Laurie Anderson, Heba Kadry, Philip Weinrobe, the Juliard School in New York to name but  a few. Wild ! In this show I demonstrate the sound of my rooms and why using a binaural head for interviews and voice over is a terrible idea :) ha

HOWA EP 120 - JIM KELLER

I have Patreon :) https://www.patreon.com/HOWA You can join now for as little as $1.50 a month.  All sounds from this episode will go to those on the upper tier and I want to thank everyone for their support! It really helps me keep the show going. _____ Medasin aka Grant Nelson is a feeler. I was initially drawn to his sample packs like a moth to the fire. The fire it turns out has many a hue and the music goes deep. It was excellent to speak to the man himself and uncover his philosophical side. We battle for who’s more of a hippy. It was close but as all hippies know there is no winner in this game. so just jump in the rambling river with us 

HOWA EP 119 - MEDASIN

If you want to directly help support me in the pod work please consider joining my Patreon https://www.patreon.com/HOWA All sounds from this episode will go to those on the upper tier ! There’s over 4GB of audio from the experiments I did with the Oxi one using a custom tape machine, wild analog gear and generally odd stuff to yield those good samples. ok, let's get on with the show! Kid Koala is not like the others. I mean who else gets the idea to do a scratch routine with moon river? Who thinks (and pulls off) a show where everyone has their own turntable in the audience to interact with a performance? He's the creator of wonderful graphic novels Nufonia Must Fall and Space Cadet He’s opened for Radiohead He’s worked on movies like The Great Gatsby, Baby Driver and Scott Pilgrim vs the world Creativity to the max. Joy to the max. It really is a treat to have him on the show. I’ve always been a big fan and Eric really couldnt be any more humble and wonderful ! ___ in the show the MUSIC is back ! Yes for this episode, the musical connections come from the rather brilliant mind of bossada I got the cassette of this btw and it’s a thing of beauty. This is great work. Let’s support the good art x LINK LINK LINK https://bossada.bandcamp.com/album/cantina-days Kind show sponsorship comes from oxi instruments makers of the excellent oxi one sequencer Here’s a link to it https://oxiinstruments.com/oxi-one/ if you want to buy one with a HOWA affiliate link together with perfect circuit go  here :) there's a little video about the oxi as omnichord here 

HOWA EP 82 - BOYS NOIZE

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