Yesterday I was talking about the most breathtaking photograph I've ever seen in person. Here is another moment that changed my life in photograph, a print from Bruce Barnbaum.

HT1126 - Another Breathtaking Photograph

Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience. 
Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life.
Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).

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Once Stieglitz decided that photography was best consumed as art on the wall, like painting, he set in motion the  pursuit of large prints. If it weren't for our predisposition to exhibit photographs on the wall, I wonder if there would ever have been a push for larger and larger prints. And if we collectively did not think of photography as something destined for the wall, I wonder what methodology/medium would dominate the sharing of photographs?

HT1872 - Print Size and the Wall

All media include an element of narcissism. With every photograph we make, we are essentially competing for attention. Each photograph screams, "Look at me!" This intense competition for eyeballs leads to a secondary phenomenon I think of as "the advertising promise." "Come look at me and you will be rewarded with this goody." The competition for eyeballs is so fierce that we now are overwhelmed with advertising promises way out of proportion to actual content.

HT1871 - The Competition for Eyeballs

I've talked before about the solutions to problems that pop up from seemingly nowhere. I've recently been reading The Origin of Consciousness in the Breakdown of the Bicameral Mind by Julian Jaynes. I found there a fascination quote that discusses this process. Glad to know I'm not alone in observing how creative ideas so often appear unexpectedly.

HT1870 - Stages of Creative Thought

I remember years ago hearing of a photographer who would leave small prints wherever he happened to find himself. He would leave his artwork on a bus bench, a restaurant table, a seat in the library, literally anywhere the spirit so moved him. I was so fascinated with this idea that I followed this plan the last time I was in Japan.

HT1869 - Artwork Left Behind

The ideal kit includes everything I might need. The opposite of how much gear can I take is how little gear can I get by with. Perhaps it's a function of my aging knees and back, but I find myself brainstorming about the least amount of gear I can take with me and still be productive. Obviously I need a camera and lens, a battery and a memory card, but what else is absolutely necessary in order for me to be successful with the kind of photography I do?

HT1126 - Another Breathtaking Photograph

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