“Yang rebuilds for the reader a town that is notable for its many stark contrasts: restored & ruined buildings, wealth & poverty, international art & border enforcement. Hey, Marfa makes a remarkable poetic accounting of the ways imagination is currently working with & against the histories & myths of the US/Mexico borderlands & the American […]

Jeffrey Yang : Hey Marfa

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Today’s guest is one of the most important and celebrated writers in Australia today, Alexis Wright. We look together at the ways Wright reshapes the novel form to honor Aboriginal notions of story, of time, and of scale. To find a different sound and voice for the novel, one that is multiple and collective. both […]

Alexis Wright : Praiseworthy

Over the past fifteen years, Nam Le has published a book in each genre. Best known for his phenomenal 2009 debut story collection The Boat, he followed it with his 2019 debut nonfiction On David Malouf, and now, this year, his debut poetry collection 36 Ways of Writing a Vietnamese Poem. What is remarkable about […]

Nam Le : 36 Ways of Writing a Vietnamese Poem

Writer, interdisciplinary artist, editor and publisher Anne de Marcken discusses her new book It Lasts Forever and Then It’s Over. Winner of the Novel Prize, and thus published simultaneously in the U.S., U.K., and Australia, by New Directions, Fitzcarraldo Editions and Giramondo respectively, de Marcken’s new book is a deeply philosophical and metaphysical, heartbreakingly funny […]

Anne de Marcken : It Lasts Forever and Then It’s Over

Award-winning poet Canisia Lubrin talks about her debut fiction, Code Noir. The fifty-nine stories in this collection are each prefaced by one of Louis XIV’s fifty-nine “Black codes,” the rules of conduct in France and its colonies regarding slaves and slavery. And each of these codes, each of these edicts, is also engaged with, manipulated and […]

Canisia Lubrin : Code Noir

Today’s conversation, with poet and multimedia artist Diana Khoi Nguyen, is not to be missed. Both of her books, Ghost Of and Root Fractures, engage with and are shaped by her brother’s absence and the family silence surrounding it. Two years before his suicide, her brother quietly removed the family photos from their frames on […]

Jeffrey Yang : Hey Marfa

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