We grade Jordan Peele’s three features in reverse, arguing where the films soar and where they sag. Sid questions coincidence-as-theme in Nope, Joe challenges the twist engine in Us, and Dom reframes Get Out through lived experience, shifting our scores in real time.

• reverse-order review of Nope, Us, Get Out
• plot logic versus genre tension
• visual symbols that promise payoff
• performances elevating thin characterization
• sound design as mood and motif
• the Sunken Place as a power metaphor
• class, race, and coded dialogue on screen
• when ambiguity earns mystery and when it doesn’t
• final letter grades and scoreboard

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