Darcy and Lizzy’s budding friendship (or is it more?) comes to an abrupt end when Lizzy gets a letter from Jane in Chapter 46 of Pride and Prejudice. Lydia and Wickham have run away together and so Lizzy and the Gardiner’s must leave immediately for Longbourn. Vanessa and Lauren discuss whether this plot point counts as a ‘kidnapping’ and whether marriage to Wickham is the best ending for Lydia. 
Dr. Ellen Stockstill joins us at the end of the episode to discuss the trope of the ‘fallen woman’ in literature and how it maps onto real historical anxieties. Our next episode is March 10, covering chapters 47 + 48. 
--- Don't spend your daughter's dowry, but if you can spare $2/month, we'd love to have your support on Patreon! Hosted on Acast. See acast.com/privacy for more information.

Live from Pemberley: Mr. Wickham and Our Poor Lydia (Chapter 46)

Hot and Bothered is all about the power of romance culture. We analyze romance novels and movies to better imagine our own happy endings. Episodes release bi-weekly on Tuesdays.
CURRENT SEASON: How-To Watch Romance Movies How to Lose a Guy in 10 Days is an iconic film of the early 2000s rom-com oeuvre. It has a perfect yellow dress. It has a karaoke battle. It has Matthew Mcconaughey on a motorcycle. It’s basically the epitome of everything people consider ‘silly’ about the genre. Across ten episodes, Vanessa Zoltan will revisit the movie in conversation with film and media experts, asking: What makes a rom-com? How do we understand it historically, politically, and artistically? And, of course: Why do we love them so much?&nbsp;
SEASON 4: Live from Pemberley In Live from Pemberley, we continue our deep-dive into the classic texts of romance literature. This season we take a close look at the most famous Romance novel of all time: Jane Austen's Pride and Prejudice. Every episode, Vanessa Zoltan and Lauren Sandler read through the book, talk with experts, and ask themselves the question 'is this still a story for our time?'
SEASON 3: On Eyre Vanessa Zoltan and journalist Lauren Sandler embark on the English class you always deserved, diving deep into Jane Eyre through the themes of power and desire. Discussions range from ideas of class and colonialism to sex and gender as Lauren and Vanessa explore the roles of oppression and inequality, empowerment and rebellion in the text. Major “Eyreheads” and first-time readers alike are invited into Lauren and Vanessa’s conversation as they grapple with this complicated work—and as they try to figure out if Jane Eyre is a book they want to pass on to their daughters, and to future generations.
SEASON 2: Twilight in Quarantine&nbsp; You may remember BFFs Vanessa &amp; Julia from their all-star advice giving in Hot and Bothered Season 1. In this season they’re sheltering in place in different cities, but they’re getting on the phone three times a week to read and talk about Twilight. On Twilight in Quarantine, they work their way through the Twilight saga one chapter at a time, giving brilliant well-informed advice to Stephenie Meyer's characters along the way. Advice like: "have you considered talking to each other about your feelings?" and "maybe you shouldn't kidnap people."
SEASON 1: Writing Romance Season one of Hot and Bothered follows ten first-time romance writers as they try to write their own romance novels. Each episode explores a particular romance trope and why we love it so much. Along the way, Julia Quinn, writer of the Bridgerton series, gives weekly assignments so listeners can follow along in the process. Season one was made in collaboration with Spoke Media.
Hot &amp; Bothered is produced by Not Sorry Productions, a feminist organization that produces podcasts, educational content, live shows, and immersive experiences with the explicit goal of addressing the spiritual needs of its participants. Through community, rigor, and ritual, we treat traditionally secular things as if they were sacred. To learn more about what we do, visit https://notsorryworks.com/ 
 Hosted on Acast. See acast.com/privacy for more information.

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The success of How to Lose a Guy in 10 Days is built around the chemistry and star-power of its two leading actors: Kate Hudson and Matthew McConaughey. To truly understand this film, we have to understand the way movie stars operate in Hollywood, what casting these two actors meant in 2003, and what it means today.
Helping us in that task is Russell Meeuf, a professor in the school of Journalism and Mass Media at the University of Idaho. His work focuses on celebrity culture, popular cinema, masculinity studies and disability studies. He is the author of several books on media culture, including White Terror: The Horror Film from Obama to Trump, Rebellious Bodies: Stardom Citizenship, and the New Body Politics as well as John Wayne's World: Transnational Masculinity in the Fifties.
--- If we give you butterflies, consider supporting us on Patreon! On Patreon have more great romance content including a close scene analysis with Russ. Hosted on Acast. See acast.com/privacy for more information.

How To: Spot a Movie Star

After talking about setting last episode, we wanted to dig even deeper into the physical space inhabited by Ben and Andie. How does the design of their workplaces, apartments, and date-nights affect how we perceive each of their characters? 
To help us tackle this topic, we're joined by Production Designer Stuart Blatt. Stuart walks us through the role of Production Designer, how he works with other crew members, and what he noticed specifically when watching How to Lose a Guy in 10 Days?
--- If we give you butterflies, consider supporting us on Patreon! On Patreon have more great romance content including a close scene analysis with Eric. Hosted on Acast. See acast.com/privacy for more information.

How To: Design a Movie World

How to Lose a Guy in 10 Days, like many Rom-Coms, is set in New York City. It’s got fire escapes, taxi cabs, and a dramatic Manhattan Bridge scene. 
In order to understand this film, we have to understand: What is it about New York that is so ripe for romance? And what parts of the city are highlighted in this movie and why?
To help us answer those questions, we’re joined by Eric Hynes, the Curator of Film at the Museum of the Moving Image in New York. 
--- If we give you butterflies, consider supporting us on Patreon! On Patreon have more great romance content including a close scene analysis with Eric. Hosted on Acast. See acast.com/privacy for more information.

How To: Understand Setting and Location

For our annual fundraiser at Not Sorry, we are again supporting the wonderful organization On The Rise. 
On The Rise’s work begins with individuals experiencing homelessness in Cambridge, Massachusetts and continues if and when they secure housing. From their origin as a women’s organization, their programs have evolved toward inclusion of those historically and structurally oppressed on the basis of gender.
In today's episode, Vanessa sits down with On The Rise’s Director of Clinical Services, Charyti Reiter to talk about misconceptions around homeless. We hear also from one of On The Rise's participants, JS. 
You can help us reach our goal of $10k by donating here.  Hosted on Acast. See acast.com/privacy for more information.

Bonus Conversation: How We Misunderstand Homelessness with Charyti Reiter

For our next deep-dive into How to Lose a Guy in 10 Days, we wanted to better understand the story structure of a Rom-Com. We called up the delightful Hannah Giorgis, a film critic for The Atlantic, to help us break down the three-act structure and how it operates in this film.
Hannah brought some great citations and resources to the show:“You’re So Vain”: An Oral History of How to Lose a Guy in 10 DaysThe Big Sleepover:The fatal flaw of How To Lose a Guy in 10 DaysThis tweet about romcom women being as annoying as possible
 --- If we give you butterflies, consider supporting us on Patreon! On Patreon have more great romance content including a close scene analysis with Hannah. Hosted on Acast. See acast.com/privacy for more information.

Live from Pemberley: Mr. Wickham and Our Poor Lydia (Chapter 46)

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