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There's much more to be said about this problem of up, down, and spin after Dante the pilgim and Virgil pass the center of the earth.
Join me, Mark Scarbrough, as I explore this problem: the world upside-down and the enforced rereading of INFERNO to turn it into COMEDY, the dominant form of Western civilization.
Here are the segments of this episode of WALKING WITH DANTE:
[01:28] Once more, a reading of my English translation of INFERNO, Canto XXXIV, lines 70 - 93. If you'd like to print it off, read along, or drop a comment, you can find this text on my website: markscarbrough.com.
[03:25] Dantista John Freccero's notion of the universe's spin via Aristotle.
[04:36] Dante's notion of global geography: Jerusalem and Mount Purgatory at opposite sides of the globe from each other.
[08:36] Dante flips the globe itself on his journey.
[09:49] Where is the dark wood in INFERNO, Canto I?
[11:32] All the left turns are really right turns and the two right turns are "really" left turns--which is how INFERNO becomes COMEDY.
By Mark Scarbrough4.8
159159 ratings
There's much more to be said about this problem of up, down, and spin after Dante the pilgim and Virgil pass the center of the earth.
Join me, Mark Scarbrough, as I explore this problem: the world upside-down and the enforced rereading of INFERNO to turn it into COMEDY, the dominant form of Western civilization.
Here are the segments of this episode of WALKING WITH DANTE:
[01:28] Once more, a reading of my English translation of INFERNO, Canto XXXIV, lines 70 - 93. If you'd like to print it off, read along, or drop a comment, you can find this text on my website: markscarbrough.com.
[03:25] Dantista John Freccero's notion of the universe's spin via Aristotle.
[04:36] Dante's notion of global geography: Jerusalem and Mount Purgatory at opposite sides of the globe from each other.
[08:36] Dante flips the globe itself on his journey.
[09:49] Where is the dark wood in INFERNO, Canto I?
[11:32] All the left turns are really right turns and the two right turns are "really" left turns--which is how INFERNO becomes COMEDY.

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