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In Episode 2, Ethan and Liam break down their Destination NSW Central West content capture project with Mint Films — a 9-day, multi-location shoot across regional NSW on natural light only, with a lean crew and no lighting team.
They get into how Ethan selects a DOP for a long-form road job on emotional intelligence as much as skill, how Liam chose his First AC Molly Sutherland ("Little Miss Never Miss"), the terrarium approach to directing non-actor talent, why recces are non-negotiable on tourism work, and the key takeaway — always aim higher than the brief.
Then in Gear Chat — Liam breaks down the Sony virtual production tracking system using SLAM technology. Camera-agnostic, no external markers, and why he thinks handheld is back.
Plus — why we changed the name from The Director and the DP.
By The Director & The D.O.PIn Episode 2, Ethan and Liam break down their Destination NSW Central West content capture project with Mint Films — a 9-day, multi-location shoot across regional NSW on natural light only, with a lean crew and no lighting team.
They get into how Ethan selects a DOP for a long-form road job on emotional intelligence as much as skill, how Liam chose his First AC Molly Sutherland ("Little Miss Never Miss"), the terrarium approach to directing non-actor talent, why recces are non-negotiable on tourism work, and the key takeaway — always aim higher than the brief.
Then in Gear Chat — Liam breaks down the Sony virtual production tracking system using SLAM technology. Camera-agnostic, no external markers, and why he thinks handheld is back.
Plus — why we changed the name from The Director and the DP.