Ongoing History of New Music

Radiohead - A History: Part 2

When you think about it, it’s quite an accomplishment to become a one-hit-wonder...sure, your career is essentially over after one song–but hey, at least you made it that far...think about all the bands who have worked for years and years and years and never managed to enjoy even the briefest taste of success... Still, no one likes that label...it’s demoralizing, knowing that you’ve gone down in history as a band with just one good song... It’s hard to imagine it now that they’re considered to be one of the most influential groups of a generation, but this is exactly the sort of thing Radiohead faced early in their career… But with the help of producer John Leckie and a tour opening for Alanis Morisette (who was on her way to selling 30 million copies of “Jagged Little Pill”), they were able to overcome the pressure of following up the potential one-hit-wonder-ness of “Creep”… Let’s pick up the story there…this is a history of Radiohead, part 2…

Radiohead - A History: Part 1

Is it just me or has there been an uptick in the number of one-hit-wonders over the past couple of years?...think about all the hot bands who have had just one good album–or even just one good song–before they’re forgotten... In the old days, a group developed and evolved over a series of albums...three, four, five, six records, even...it was slow and look a lot of patience and a lot of fighting to keep things together, but more often than not, it paid off...look at U2...or REM...or Blur...or Depeche Mode...or Nine Inch Nails... None of these bands was what you’d called immediate, instant, hit-it-out-of-the-park successes...each group was allowed to build a career the old-fashioned way: slowly and carefully...and most importantly, they were allowed to make mistakes along the way... Oh–you know who we missed in that list of bands?...Radiohead... They started slow–really slow...they’ve made a bunch of mistakes...they’ve conducted a lot of experiments–some successful, some failures...but because they’ve stuck together, because they’ve always believed in their mission, and most of all, because they all happen to be exceptional musicians, Radiohead has become one of the most revered, most influential and most analyzed groups in the history of alt-rock… And that’s not all…along the way, they’ve managed to rewrite a lot of the rules about what a band is and isn’t supposed to do… This is the story of Radiohead got to where they are today…

Lost CanRock Bands of the 90s: Part 2

Before 1971, there really wasn’t much of a Canadian music industry…sure, there were record labels and recording studios and promoters and agents, but we didn’t have what you’d call a “first-world” industry… Canada was a backwater, a place where the big labels had branch offices…anyone who wanted to make it big had to leave the country, usually for the United States… But then came the Canadian content laws in January 1971…overnight, it became law that Canadian radio stations had to devote 30% of their playlists to Canadian artists…this created an artificial demand for this music which a lot of people screamed bloody murder about… But this demand needed to be serviced, so a modern music industry grew up around it—all the infrastructure required to have a proper domestic scene…that meant more record labels, more recording studios, more promoters, more agents… A domestic star system began to emerge…Canadians started buying more music by Canadian artists…and those artists who didn’t want to bolt for the united states found that they could make a decent living by staying in Canada… It took about 20 years for our music industry to mature into something truly world class…and by the time we got to the 1990s, there was a sense that our best could compete with anyone in the world… That’s when everything exploded…Canadian generation Xers not only embraced the alt-rock that was coming from the States—grunge, industrial, punk, whatever—but also the homegrown stuff…walking into a record store in, say, 1995, meant being faced with racks of Canadian product right up front…and people were mad for it… This is our second half of our remembrance of some great Can-Rock bands of the 90s…

Indigenous Alternative

Over the last decade, there has been some very, very long overdue attempts at reconciliation with the First Nations and Indigenous Peoples of North America…there’s still a long, long way to go, but at least the process as begun… The treatment of Indigenous people makes for ugly history…but it has also been enlightening in positive ways… For example, we’ve been learning more about First Nations music and the role people who identify as Native Canadians and Americans have played in the world of rock…some are full-fledged First Nations people…others have at least some Native blood… Some are well-known…others have been hiding in plain sight…and I think it’s time that we go through some of these contributions…

Good Goth: Part 2

Seeing as it's the time of the year when many people explore their inner Goth, we thought we'd dig deep into the Ongoing History archieves and pull out our 2 part series on Goth. This is the second part of out examination of the Alt-Rock scene and this time we go from mid 80's right up to today. Goth has always had a bad rap so we're going to try to clear everything up with our deep dive. Don't worry...no one's going to get hurt.

It's A Family Affair

Music is one of those things that can bring families together…and sometimes, that togetherness grows into a business… The BeeGees had the three Gibb brothers…baby brother Andy Gibb was also part of that universe for a while… Then there’s The Beach Boys…the original lineup included Brian, Dennis, and Carl Wilson and their cousin Mike Love…Murray Wilson—the father of Brian, Dennis, and carl—was their manager…he was terrible at it (in fact, Murray was an all-round disasters for his sons), but at least they were all together…or something like that…three brothers, their father and a cousin… We have The Cowsills…this was a 60s pop group from Rhode island who had a series of hits…six siblings: Bob, Bill, Barry, John, Paul and Susan…they ranged from 8 to 18…and then there was mother Barbra…this arrangement was the inspiration for the TV show “the partridge family”…that’s seven people, which later became eight when Bob’s twin brother Richard joined up for a bit… And we have to talk about the Jackson 5: Michael, Jackie, Tito, Jermaine, and Marlon…when the group left Motown, Jermaine was replaced by randy… So that’s six members of the Jackson 5… then we have Janet, LaToya and Rebbie…that’s nine and everything was run by father Joe Jackson—another abusive disaster…so the count is up to 10… All this got me thinking: are their equivalents in the world of alt-rock?...what are the biggest family affairs the genre has ever seen?...let’s take a look…

9 Great Alt-Rock Cover Songs

There’s just something fun about learning to play one of your favourite songs for yourself…you know, learning the lyrics, figuring out the chords and the rhythm and deconstructing all the constituent parts… Then you get deeper…you begin to appreciate how everything fits together, the artistic decisions made by songwriter made, what kind of musical skill is required, the sort of production that was employed all that…and by the time you’ve learned the song, you’ve learned a whole lot of other things, too…and you’re probably a better musician as a result…this is why learning to play other people’s music is so important… Now let’s look at it from the other side…if a song can be interpreted multiple times by many different people and it still sounds good, then that is a great song… The best compositions not only sound great when played by a full band, but also sound great when performed by one person around a campfire… And finally, there’s the fan aspect of all this…people love to hear songs done in different ways by different artists…sometimes the cover is even better than the original—or, at the very least, is revealed to be something more in the hands of someone else… With all this in mind, I’ve assembled a list of cover songs…and we’re going to go through with them to determine what makes them (and the original) great…

USS In Their Own Words: Part 2

I hope you’re ready for an interesting interview with Ash and Jay from USS…because this is another one of those occasional “in their own words” profiles where I just let the artist tell their stories in whatever fashion they choose…and if listened to part one, this talk with USS was not in anyway ordinary… When you sit down with Ash Boschultz and Jay “The Human Kebab” Parsons of USS, you end up having a conversation where you’re not sure how you arrived at this place, but there you are…so just open your mind, sit back and take it all in… It’s part two of USS: in their own words…

USS In Their Own Words: Part 1

If you’re a fan of a particular artist, you want to know everything you can about them…maybe you scour things like their official bios, their Wikipedia pages and maybe read through as many interviews and articles as you can… All that is fine…but what if there’s a way to get more?.... When it comes to telling the story of an artist, it is always best if you get the artist to tell it themselves…you get the unvarnished truth, told from the heart by the people who are actually making the music… That’s great in theory, but it’s awfully difficult to get everyone in one place at one time, what with touring schedules, recording commitments and life…but if there’s just two people, then it’s a little easier… With a little bit of wrangling, I managed to get Ash and Jay from USS into the studio…has their story been told before?...yes, of course…but not like this… This is USS in their own words, part 1…

More Famous Recording Studios

I love the smell and feel of recording studios…if you’ve been inside a proper one, you’ll know what i mean… The air is kept clean and dust-free to protect the equipment…the a/c is usually cranked up to offset the heat generated by the electronics…there’s a slight whiff of ozone created by all the electrical circuits…and it’s usually very, very quiet…loads of isolation and baffling and sound-proofing… To me, a recording studio is the musical equivalent of an operating theatre; a place that’s dedicated to one thing and one thing only…and what goes on within the walls is deadly serious… Okay, I’m not saying that recording a song is the same as a heart transplant or something, but there is the same sort of vibe… There used to be dozens and dozens of these places around the planet…people would travel thousands of kilometers to work there because they were thought to be magical in some way… But that’s when you needed a full-equipped recording studio to make a record…today, you can do a pretty good job with a laptop in your bedroom… Many of the legendary studios are gone, a victim of the changing economics of the music industry…a few of these behemoth still exist… This is another look at the world’s legendary recording studios, both past and present…   Songs in this Episode: David Bowie - Life on Mars Sex Pistols - Holiday in the Sun The Verve - Bittersweet Symphony Mumford & Sons - Believe The Clash - The Magnificent Seven The Black Keys - Tighten Up The Tragically Hip - Poets Bob Marley and the Wailers - No Woman, No Cry

Songs Based on Real Events

Streaming is a very cool way to access tens of millions of songs with a few pokes on your phone…the idea of being able to listen to virtually any song from any era of human history with such ease is something akin to magic… The downside of streaming is that it doesn’t provide any context to what we’re hearing…a continuous stream of music tells us nothing about the artist or the song…it’s just music, standing alone with nothing to anchor it to anything… It was different in the old days…if you bought an album, dammit, that was an investment…you paid money for it, which created a fiscal relationship with the artist…that meant you were more likely to stick with an album and get deeper into the artist and the songs…otherwise, you had this nagging feeling you had wasted your money… Context means so much to the enjoyment of music—which is probably a reason you’re listening to me right now…you want more than the notes that make up a song… Yeah, sometimes a song is just a song…you know, it’s got a good beat, you can dance to it and maybe sing along…it doesn’t really mean anything more than that… But some songs are very deep…they actually form some part of a historical record…they tell the story of real people, real events and the things that came after… That’s where we’re going with this show: everything we’re about to hear is based on fact, on history, on actual events…and you may be shocked by the truth beyond songs that you’ve been digging all your life…this isn’t anything you’re gonna get from a stream…trust me… Songs in this episode: The Clash - White Riot Boomtown Rats - I Don't Like Monday's U2 - Sunday Bloody Sunday REM - What's the Frequency Kenneth? Pearl Jam - Jeremy Nirvana - Polly The Tragically Hip - Wheat Kings Filter - Hey Man, Nice Shot!

A Brief History of Alt Psychedelic Rock

Here’s one of the most misunderstood and misused words in the English language: “psychedelic” … The word first came into use in 1956 when a psychiatrist named Humphrey Osmond was studying a new class of pharmaceuticals that had potential when it came to treating certain mental disorders… A chemical known as lysergic acid diethylamide—LSD, for short—had been extracted by a Swiss scientist named Albert Hoffman from a fungus called “ergot”…from 1943 on, medical professionals tried to figure out what it could be used for…it was even marketed commercially for a while under the brand name “delysid”… Then the CIA got involved, thinking that LSD could be used for things like interrogation, chemical warfare and mind control…but that’s a whole other story... Because the chemical resulted in people entering an altered state of perception, some started using it recreationally… artists discovered its properties and started taking acid trip, looking for inspiration and new creative roads… Then other psychedelics went mainstream, including mescaline (which comes from the peyote plant) and psylocybin (which you get from certain mushrooms) before just about all of these drugs were made illegal… Meanwhile, “psychedelic”—which means “soul-revealing” in Greek—became an adjective…it describes anything that could be described as mind expanding, anything that alters the way we perceive reality… Naturally, this quickly extended to music…psych became a thing in the 60s—that sound, feel, vibe, attitude continues today with alt-rock… This is a quick history of psych in the world of alternative music…   Songs used in this episode: Kula Skaker - Tattva The Soft Boys - Give It To The Soft Boys Teardrop Explodes - Sleeping Gas Echo and the Bunnymen - Bring on the Dancing Horses Siousxie and the Banshees - Dear Prudence Spaceman 3 - Revolution The Bangles - Hero Takes A Fall My Bloody Valentine - Soon The Verve - Slide Away Tame Impala - Elephant

Alt Rock Concept Albums: Part 2

Every song comes from some sort of story. Sometimes it’s just the story of a feeling…good or bad…or maybe it’s just a way of getting a point of view across. Other songs are actual stories. They have a narrative, characters, drama, beginning, middle and end. But what if you’re a composer and you have a story that is too long….too complex to fit in the standard four minute song. Well then maybe you need to think about breaking it out to its constituent parts and telling the story across multiple songs. You do this over enough songs and you create a concept album. A record where a story or a variety of themes tie everything together front to back and back to front. Your four-minute short story has turned into an hour-long novel. This is part 2 of the history of the concept album in alt-rock.

Alt Rock Concept Albums: Part 1

There are many ways to tell a story...a book, a movie, at TV, a comic book. You also use music of course; a ballad is a story set to music,  a lot of music videos tell a story. Operas and ballet are more grand.  The other musical option is the concept album. These are records where all the songs, all  the imagery, is somehow tied togethor by some sort of unifying theme or thesis. The music, the lyrics and sometimes even the artwork come togehtor to tell a story.  These were big in the '60's and 70's but they were seen as old rock and needed to be expunged from popular culture.  But then a funny thing happened. They started to make a comeback...the stigma vanished, and they even found a place in Alt-Rock. Here...let me show you. Songs in this episode: Green Day - American Idiot, David Bowie - Ziggy Stardust, Kraftwerk - Computer Love, Husker Du - Pink Turns to Blue, Nine Inch Nails - Hurt, Smashing Pumpkins - Bullet With Butterfly Wings, Weezer - No Other One, Tool - Stinkfist, Marilyn Manson - Beautiful People

Medical Mysteries of Music

As far as scientists can tell, there is no biological or evolutionary need for humans to have…music. As a species, we could get along just fine without it. Life would be much duller but we would be okay.

Useless information

Alright, let’s face it. My entire carrier is based on obscure information. The weirder stuff I can find out about a band, an artist, a musician, a performer…the better.

Fans and Fatalities

No one goes to or holds a concert with the idea of anyone being hurt...but...stuff happens. Well, what kind of stuff?  Well...I'm glad you asked

A Not-So Brief History of Ska: Part 1

How many of today's Ska fans...and there are millions and millions of them all across the world...realise how deep and how rich, and how complicated the history of this music really is? From first wave, through second wave, and finally the present third wave of Ska...We think it's time to check it out. This is the first part of our in depth look at the history of Ska.

Rage Against The Machine: Part 2

On this Podcast, conclude our 2009 profile of Rage Against The Machine. Few bands in Alt-Rock are as passionate, powerful and influenctial as these four guys. We trace the roots of Rage from their earliest bands, all the way through their reunion in the late 00's. Enjoy. And turn this one up!

Rage Against The Machine: Part 1

Few bands in Alt-Rock are as passionate, powerful and influenctial as Rage Against The Machine. On this weeks bonus summer Podcast, and by request, we dig into the archives to bring you our 2009 profile of RATM. We trace the roots of Rage from their earliest bands, all the way through their reunion in the late 00's. Enjoy. And turn this one up!

The History of Power Pop

In the beginning—and I’m talking about, say, 1955—it was easy to categorize popular music…there was rock, pop, country and r&b…it was nice and simple…pretty much all mainstream music you heard could be dumped into one of these four buckets… But even back then you could get more granular…you could slice certain genres into thinner slices to include big band, Dixieland, Ska and hillbilly…and jazz…and gospel…and Broadway show music…and I guess we can’t leave out classical, can we?... And as rock’n’roll grew, it fragmented and separated and stratified with each passing year…before long, it wasn’t enough to say that you were in a “rock band”…you had to specify what kind of rock band you were… In 2014, a guy named Glenn McDonald created a project called “every noise at once”…he was able to identify 1,264 micro-genres of popular music…and new micro-genres are being invented every day…every hear of blackgaze or deep filthstep or skweee?...they exist…trust me… Some of these genres rise and fall pretty quickly…they’re “of the moment” and soon sound completely outdates…others, though, have staying power…they can be with us for decades…why?...because they just work, that’s all… And one genre that’s been working very well for over half a century is called “power pop”…this is its story…

Christian Rock

For this weeks bonus Ongoing History Podcast, we go back to January 2005 and our look at Christian Rock. In this episode we trace its history and evolution of  in the Alt-Rock world. It's not all Creed! Thankfully... Special thanks to Brad from Brampton, Ontraio who asked for Alan's thoughts on the genre. And fortunately, we had one on file!  Here it is!  Enjoy!

You're Going to Jail

Welcome to a show about crime—specifically crimes committed by performers in alt-rock…and i’m not talking about petty misdemeanors, bar fights, minor felonies, drug convictions or overnight stays in the drunk tank…the topic is real crime and hard time…arrests, convictions and long-term jail sentences—in some cases, sentences scheduled to last decades…robbery, murder, child abuse…there’s some scary shite coming up here…

History of Indie Rock: Part 4

For decades, the attitude was that if you recorded for an independent label, you were in the minor leagues…after all, if you were any good or you made music that the masses were likely to enjoy, you’d have been picked up by a major label, right?... The world of indie rock—which itself was a subset within the already left-of-centre alternative rock scene—was a place to put all the extra weird misfits or those whose talent was questioned… Totally unfair…mostly…yes, there were plenty of dregs when it came to indie rock…but this is also the universe where people took chances…and every once in a while, something great inevitably happened…a new sound…a new trend…a new band…even just a new song… And when things got weird with the music establishment in the era of music piracy and illegal downloads, it was the indie world that was forced to step up and figure what everyone needed to do… This is part four of our history of indie rock…

The History of Indie Rock: Part 3

There was a time when indie music was ignored by most people…the thinking was that if the music was any good, then it would have been picked up and released by a major label… And there was some merit to that argument…there was a time when the major labels—back when there were six or seven of them—scooped up all the best stuff…they could afford to take those kinds of chances back then…the indie labels were, for the most part, left with the dregs… I know, I know…that sounds shortsighted, elitist and unfair…but there really was that imbalance in quality—generally speaking, anyway… Indie and alternative music was looked upon as the domain of weirdos and outliers—stuff that just wasn’t good enough for everyone to enjoy… For the musicians who made that kind of music, the labels that distributed it and the fans that enjoyed it, that was fine…they were penned off in their own little parallel universe, free to do things as they pleased… So this music lived in its little petri dish and grew…and grew…and grew…and by the time we got to the early 90s, no one was in a position to ignore anything… This is part three of the history of indie music…