You know, it’s that old story of boy meets girl … girl is dating boy’s married boss … girl tries to commit suicide … boy saves girl’s life …. Okay, that sounds pretty dark. But somehow it’s the basis for a classic romantic comedy, Billy Wilder’s 1960 film, The Apartment. The film raises the question of how we distinguish authentic relationships from relationships of utility and convenience. What cultivates human intimacy? What compromises it? When are we just using people? Wes and Erin discuss. Cover art is based on a  French poster for the film. Subscribe: (sub)Text won’t always be in the PEL feed, so please subscribe to us directly:  Apple |  Spotify |  Android | RSS Bonus content: The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon. Follow (sub)Text: Twitter | Facebook | Website Thanks to Tyler Hislop for the audio editing on this episode.

PEL Presents (sub)Text: Expediency and Intimacy in Billy Wilder’s "The Apartment"

The Partially Examined Life is a podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a short text and chat about it with some balance between insight and flippancy. You don't have to know any philosophy, or even to have read the text we're talking about to (mostly) follow and (hopefully) enjoy the discussion. For links to the texts we discuss and other info, check out www.partiallyexaminedlife.com.

We also feature episodes from other podcasts by our hosts to round out your partially examined life, including Pretty Much Pop (prettymuchpop.com, covering all media), Nakedly Examined Music (nakedlyexaminedmusic.com, deconstructing songs), Philosophy vs. Improv (philosophyimprov.com, fun with performance skills and philosophical ideas), and (sub)Text (subtextpodcast.com, looking deeply at lit and film). Learn about more network podcasts at partiallyexaminedlife.com.

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It's a new, discussion-only format, just for this episode (and perhaps some rare ones in the future)! When we write, how much is planned vs. improvised? How much is inspirational vs. double-or-triple checked? How does this factor weigh into how much music we release, how eclectic our sound is, and how well we improvise with others? This discussion features three returning guests:  Roger Joseph Manning Jr. was the keyboardist/singer for Jellyfish and Imperial Drag, and more recently as a solo artist and with the Likerish Quartet. Hear his solo episode. The end song on this episode "I'm Startin' a Band" from his Radio Daze EP (2023). David Christian is the singer/guitarist for Britain's Comet Gain.  Hear his solo episode. The intro music to this discussion is "Love and Hate on the Radio" from Radio Sessions 1996-2011. Portland-based Rachel Taylor Brown has released 10 solo albums. Hear her solo episode. Her song choice relevant to this discussion was "Stagg Field."  Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

NEM#214: Head vs. Gut Songwriting w/ Roger Joseph Manning Jr., David Christian, Rachel Taylor Brown

When we write, how much is planned vs. improvised? How much is inspirational vs. double-or-triple checked? How does this factor weigh into how much music we release, how eclectic our sound is, and how well we improvise with others? This discussion features three returning guests:  Roger Joseph Manning Jr. was the keyboardist/singer for Jellyfish and Imperial Drag, and more recently as a solo artist and with the Likerish Quartet. Hear his solo episode. The end song on this episode "I'm Startin' a Band" from his Radio Daze EP (2023). David Christian is the singer/guitarist for Britain's Comet Gain.  Hear his solo episode. The intro music to this discussion is "Love and Hate on the Radio" from Radio Sessions 1996-2011. Portland-based Rachel Taylor Brown has released 10 solo albums. Hear her solo episode. Her song choice relevant to this discussion was "Stagg Field."  Sponsor: Get 50% off your first box of ready-to-eat meals at FactorMeals.com/pretty50 (use code pretty50). Sponsor: 

PMP-NEM Crossover: Head vs. Gut Songwriting w/ Roger Joseph Manning Jr., David Christian, Rachel Taylor Brown

Continuing on The Philosophy of Nature: A Guide to the New Essentialism (2002) with guest Chris Heath. We get further into the text about metaphysical realism, criteria for a natural kind, properties vs. predicates, and much more. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion. Learn about the new PEL book at partiallyexaminedlife.com/book. Make a note on your calendar to purchase it on Thursday, April 25.

Ep. 339: Brian Ellis on the Metaphysics of Science (Part Two)

David is co-host of the excellent Overthink podcast, popular among the young people today, and so we have him monologue to children as an anti (?) drug speaker. How can drugs change us, our sense of self, and the ways we see the world? Can some drugs be considered "natural"? Also, legally defensible drug use at work, and Nancy Reagan the Heel. Mark philosophizes at partiallyexaminedlife.com. Bill improvises (and teaches) at chicagoimprovstudio.com. Hear more at philosophyimprov.com. Support the podcast to get all our post-game discussions, a video version of the podcast, and other bonus stuff.

PEL Presents PvI#74: A Psychedelic Embrace with David Peña-Guzmán (Overthink)

On The Philosophy of Nature: A Guide to the New Essentialism (2002). What kind of metaphysics underlies chemistry and physics? Ellis argues that items such as chemical elements and physical particles have essences, and that these essential properties determine their behavior, which is characterized by scientific laws. Thus, these laws are necessary; they apply in all possible worlds. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion. Sponsor: Get a $1/month e-commerce trial at shopify.com/pel. Learn about our new book at partiallyexaminedlife.com/book.

PEL Presents (sub)Text: Expediency and Intimacy in Billy Wilder’s "The Apartment"

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