In this episode, I chat with Professor Joshua Fairfield on the current state of music copyright law, with a focus on how the law treats the new generation of content creators who are reacting to and utilizing existing media in creative ways, what the future may hold, and how content creators can navigate a complex legal landscape that isn't necessarily well-tailored to new technological and social advances. Joshua Fairfield is an internationally recognized law and technology scholar, specializing in digital property, electronic contract, big data privacy, and virtual communities. He has written on the law and regulation of e-commerce and online contracts and on the application of standard economic models to virtual environments. Professor Fairfield's current research focuses on big data privacy models and the next generation of legal applications for cryptocurrencies. His articles on protecting consumer interests in an age of mass-market consumer contracting regularly appear in top law and law-and-technology journals, and policy pieces on consumer protection and technology have appeared in the New York Times, Forbes, and the Financial Times, among other outlets. Before entering the law, Professor Fairfield was a technology entrepreneur, serving as the director of research and development for language-learning software company Rosetta Stone.
You can follow Josh on Twitter at https://twitter.com/joshfairfield, and look out for his new book "Runaway Technology: Can Law Keep Up" in 2021!
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You can follow me on Twitter at https://twitter.com/MKLikesMusic

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Support this podcast: https://podcasters.spotify.com/pod/show/matthias-kaseorg/support

4. Prof. Joshua Fairfield on Music Copyright Law, YouTube Reaction Videos, Tik-Tok, and More

With the advent of streaming services and the ubiquity of speaker-enabled devices, in many ways, it seems like pop music has become a background soundtrack for our everyday activities rather than an independent art form to be appreciated on its own merit. 

My name is Matthias. I'm an attorney, amateur music blogger, and mediocre guitarist with a mild obsession for listening to and over-analyzing pop music that's just slightly outside of the mainstream. I'm here to explore the nuanced artistry of pop songwriting via interviews with some of my favorite artists. Hope you enjoy! Support this podcast: https://podcasters.spotify.com/pod/show/matthias-kaseorg/support

Music

Music Interviews

This week, I speak with Paul Johnson, who performs under the moniker Canyon City, about two of his latest singles - Catch Fire and Purple Horizon.
Since its inception in 2015, Canyon City has become known for its distinctive whispery vocals layered over intimate acoustics orbiting candidly emotional storytelling. As Johnson self-released a series EPs and LPs over the last five years, the industry took notice, with Canyon City frequenting Spotify editorial playlists and winning praise from media like NPR, Paste, American Songwriter and more.  His combined streams on Spotify alone surpass 100 million, with an average of 1.3 million monthly listeners. It’s quite easy to see exactly why Johnson is a streaming giant. His songwriting—fusing conversational narratives with modern-folk textures in the vein of Gregory Alan Isakov, The Tallest Man On Earth, and Noah Gundersen—is rich in emotional detail.
Now, Canyon City prepares to release Circling The Sun, a warm, inviting and sweetly cinematic EP primarily written and produced in household settings, save for a bit of recording at the local Library. He teamed back up with Nashville-based producer Zachary David who added his own homespun elements to the project. David, who is also a TV/film composer, used found objects (think couch kickdrums, t-shirt slapping snares and crumpled paper percussion) around the home when producing the EP, partially out of necessity due to Covid19. But the unorthodox arrangements only enhance the EP’s lived-in aesthetic.
Please go and follow Canyon City at:
Spotify: https://open.spotify.com/artist/6TdfKQvrdHZdr4DIzjuWOr

Apple Music: https://music.apple.com/artist/canyon-city/1019253812

YouTube: https://www.youtube.com/c/CanyonCityMusic

Facebook: https://www.facebook.com/CanyonCityMusic

Instagram: https://www.instagram.com/canyoncitymusic

Twitter: https://twitter.com/CanyonCityMusic
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You can follow me on Twitter at http://twitter.com/MKLikesMusic

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Support this podcast: https://podcasters.spotify.com/pod/show/matthias-kaseorg/support

8. Canyon City on Catch Fire and Purple Horizon

This week, I speak with Paul Johnson, who performs under the moniker Canyon City, about what "modern folk" means to him, growing up and playing in a folk trio with his parents in Fargo, North Dakota, and writing emotional and vividly descriptive songs (and speculate as to why so many of them revolve around fire and water). Since its inception in 2015, the project has become known for its distinctive whispery vocals layered over intimate acoustics orbiting candidly emotional storytelling.
As Johnson self-released a series EPs and LPs over the last five years, the industry took notice, with Canyon City frequenting Spotify editorial playlists and winning praise from media like NPR, Paste, American Songwriter and more.  His combined streams on Spotify alone surpass 100 million, with an average of 1.3 million monthly listeners. It’s quite easy to see exactly why Johnson is a streaming giant. His songwriting—fusing conversational narratives with modern-folk textures in the vein of Gregory Alan Isakov, The Tallest Man On Earth, and Noah Gundersen—is rich in emotional detail.
Now, Canyon City prepares to release Circling The Sun, a warm, inviting and sweetly cinematic EP primarily written and produced in household settings, save for a bit of recording at the local Library. He teamed back up with Nashville-based producer Zachary David who added his own homespun elements to the project. David, who is also a TV/film composer, used found objects (think couch kickdrums, t-shirt slapping snares and crumpled paper percussion) around the home when producing the EP, partially out of necessity due to Covid19. But the unorthodox arrangements only enhance the EP’s lived-in aesthetic.
Please go and follow Canyon City at:
Spotify: https://open.spotify.com/artist/6TdfKQvrdHZdr4DIzjuWOr

Apple Music: https://music.apple.com/artist/canyon-city/1019253812

YouTube: https://www.youtube.com/c/CanyonCityMusic

Facebook: https://www.facebook.com/CanyonCityMusic

Instagram: https://www.instagram.com/canyoncitymusic

Twitter: https://twitter.com/CanyonCityMusic
***
You can follow me on Twitter at http://twitter.com/MKLikesMusic

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Support this podcast: https://podcasters.spotify.com/pod/show/matthias-kaseorg/support

7. Canyon City on the "Modern Folk" Label, Growing Up in Fargo, and Writing Songs about Water

This week, I chat more with Alex Walker (drums) and George Coulson (guitar / lead vocals) of The Valla, your favorite new pop/indie-rock band - about their two newest singles - Ice Cream and Shut My Mouth. The Valla also includes bassist Hamish Knowles and lead guitarist Jay Williamson. Native of nowhere, the four-piece emanate from England, Wales, Australia, and Germany, but currently reside in London, UK. Holding the line between pop and rock, inspired by the likes of Cage The Elephant, Gang of Youths, and Catfish and the Bottlemen, the band plays what they describe as ‘music for damaged souls’, writing with beautiful insecurity and vulnerability, appealing to anyone searching for a deeper meaning of life in the modern world.
Please go and follow The Valla at:
Facebook: https://www.facebook.com/thevallabandInstagram: https://www.instagram.com/thevallabandYouTube: https://www.youtube.com/channel/UCBoAThtMnT7eY9z1shMgaugTwitter: https://twitter.com/TheVallabandSpotify: https://open.spotify.com/artist/4YhQHwK37kKWxXGiNbCu1R?si=x6dChabrRH-1WpmmWNgY0QiTunes: https://music.apple.com/gb/artist/the-valla/1464715257
***
You can follow me on Twitter at http://twitter.com/MKLikesMusic

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Support this podcast: https://podcasters.spotify.com/pod/show/matthias-kaseorg/support

6. The Valla on Ice Cream and Shut My Mouth

This week, I chat with Alex Walker (drums) and George Coulson (guitar / lead vocals) of The Valla, your favorite new pop/indie-rock band - formed in late 2018. The Valla also includes bassist Hamish Knowles and lead guitarist Jay Williamson. Native of nowhere, the four-piece emanate from England, Wales, Australia, and Germany, but currently reside in London, UK. Holding the line between pop and rock, inspired by the likes of Cage The Elephant, Gang of Youths, and Catfish and the Bottlemen, the band plays what they describe as ‘music for damaged souls’, writing with beautiful insecurity and vulnerability, appealing to anyone searching for a deeper meaning of life in the modern world.
Please go and follow The Valla at:
Facebook: https://www.facebook.com/thevallaband

Instagram: https://www.instagram.com/thevallaband

YouTube: https://www.youtube.com/channel/UCBoAThtMnT7eY9z1shMgaug

Twitter: https://twitter.com/TheVallaband

Spotify: https://open.spotify.com/artist/4YhQHwK37kKWxXGiNbCu1R?si=x6dChabrRH-1WpmmWNgY0Q

iTunes: https://music.apple.com/gb/artist/the-valla/1464715257
***
You can follow me on Twitter at http://twitter.com/MKLikesMusic

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Support this podcast: https://podcasters.spotify.com/pod/show/matthias-kaseorg/support

4. Prof. Joshua Fairfield on Music Copyright Law, YouTube Reaction Videos, Tik-Tok, and More

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