Murph and Hawk become whole again (sort of) while putting everyone's favorite Special Agent with a white knight syndrome under their obsessive microscope to ask "Cooper: Who. Are. You?"

The Evolution of Agent Cooper

The definitive and prolific Twin Peaks: The Return podcast that's brewed strong and poured deep for our fellow Twin Peaks conspiracy theorists and aficionados around this beautiful and horrific spinning world. Join two Twin Peaks, David Lynch fanatics (Murph and Hawk) as they attempt a feat few other Peaks re-cappers dare: try to understand what in the f*ck is going on. *Spoilers *Explicit Language *Some Nudity *Extreme Violence

TV & Film

What year is this? Our final podcast on Twin Peaks: The Return is a black as midnight on a moonless night in Odessa discussion of Part 18 -- a Lynchian masterpiece of mystery & mood that still confounds, with an iconic ending that will haunt our dreams eternally.

Series Rewind: Part 18

The past dictates the future. We return to where it all began, discussing (for the first time) Lynch & Frost's iconic opening chapter. A moody & mysterious masterpiece with a soundtrack that is too dreamy.

Twin Peaks Pilot (1990)

"We're going home." Our Series Rewind nears completion as Murphy and I revisit the penultimate episode, The Past Dictates The Future or: How I Learned to Stop Worrying & Love the Cockney Kid with a Green Glove Who Bested Bob + more on Diane, Judy, Maj. Briggs, and an early birthday kiss to DKL.

Series Rewind: Part 17

Through the darkness of future past, we have descended from pure air to discuss Teresa Banks and the last seven days of Laura Palmer + The Missing Pieces and anecdotes from 1992 when David Lynch's misunderstood masterpiece blew our youthful minds with blue roses, pink rooms, and a dancing girl with red hair named Lil... she's my mother's sister's girl!

Twin Peaks: Fire Walk With Me

'You are awake... finally!' Cooper returns in one of the most satisfying parts of Season 3, but it's Laura Dern who steals the show as Diane reveals the details of 'that night' then utters one final 'fuck you' in The Red Room. We say adieu to Little Dickie Horne & the murderous yet charming Chantal and Hutch at the hands of the Polish "I move car" Accountant, and revel in Audrey's dance at the Roadhouse. Plus, the power of Mr. C's playing card and the darker side of Carrie Page.

The Evolution of Agent Cooper

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