Historically speaking, we live in an age of extraordinary abundance. We have long since passed the income thresholds when past economists believed our needs would be more than met and we’d be working 15-hour weeks, puzzling over how to spend our free time. And yet, few of us feel able to exult in leisure, and even many of today’s rich toil as if the truest reward for work is more work. Our culture of work would be profoundly puzzling to those who came before us.

James Suzman is an anthropologist who has spent the last 30 years living with and studying the Ju/’hoansi people of southern Africa, one of the world’s enduring hunter-gatherer societies. And that project has given him a unique lens on our modern obsession with work.

As Suzman documents in his new book, “Work: A Deep History From the Stone Age to the Age of Robots,” hunter-gatherer societies like the Ju/’hoansi spent only about 15 hours a week meeting their material needs despite being deeply impoverished by modern standards. But as we’ve gotten richer and invented more technology, we’ve developed a machine for generating new needs, new desires, new forms of status competition.

So this is a conversation about the past, present and future of humanity’s relationship to work and to want. We discuss what economists get wrong about scarcity, the lessons hunter-gatherer societies can teach us about desire, how the advent of farming radically altered people’s conceptions of work and time, whether there’s such a thing as human nature, the dangers of social and economic inequality, the role of advertising in shaping human desires, whether we should have a wealth tax and universal basic income, and much more.

Mentioned: 

“Economic Possibilities for our Grandchildren” by John Maynard Keynes

“‘Economic Possibilities for Our Grandchildren’ 75 Years after: A Global Perspective” by Fabrizio Zilibotti

“Extreme Jobs: The Dangerous Allure of the 70-Hour Workweek” by Sylvia Ann Hewlett and Carolyn Buck Luce

Book recommendations:  

King Leopold's Ghost by Adam Hochschild

Entangled Life by Merlin Sheldrake

Other Minds by Peter Godfrey-Smith 


You can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris and Kate Sinclair; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin.

Why Do We Work So Damn Much?

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In our recent series on artificial intelligence, I kept returning to a thought: This technology might be able to churn out content faster than we can, but we still need a human mind to sift through the dross and figure out what’s good. In other words, A.I. is going to turn more of us into editors.

But editing is a peculiar skill. It’s hard to test for, or teach, or even describe. But it’s the crucial step in the creative process that takes work that’s decent and can turn it into something great.

Adam Moss is widely known as one of the great magazine editors of his generation: He remade The New York Times Magazine in the late 1990s and early 2000s, and during his 15 years as editor in chief of New York magazine, shaped that outlet into one of the greatest print and digital publications we have. And he’s now out with a new book, “The Work of Art: How Something Comes From Nothing.” It’s a curation of 43 conversations with artists about the marginalia, doodles, drafts and revisions that lead to great art. It’s a celebration of the hard, human work that goes into the creative act. It’s a book, really, about editing.

In this conversation, we discuss what musicians, writers, visual artists, sandcastle-builders and others have in common as they create; how editing is an underappreciated and often misunderstood step in the creative process; how creativity morphs in different stages of our lives; and trusting your own “sensibility.”

Mentioned:

“A Subtlety, or the Marvelous Sugar Baby” by Kara Walker

“Miss Gleason” by Amy Sillman

Ezra Klein Show episode with George Saunders

“Mother and Child on Blue Mat” by Cheryl Pope

Ezra Klein Show episode with Maryanne Wolf

“Fidenza” by Tyler Hobbs

“In a River” by Rostam

Book Recommendations:

Interviews with Francis Bacon by David Sylvester

Faux Pas by Amy Sillman

The Sketchbooks Revealed by Richard Diebenkorn

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Kristin Lin and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero, Rachel Baker and James Burnett.

This Conversation Made Me a Sharper Editor

There is so much we need to build right now. The housing crunch has spread across the country; by one estimate, we’re a few million units short. And we also need a huge build-out of renewable energy infrastructure — at a scale some experts compare to the construction of the Interstate highway system.

And yet, we’re not seeing anything close to the level of building that we need — even in the blue states and cities where housing tends to be more expensive and where politicians and voters purport to care about climate change and affordable housing.

Jerusalem Demsas is a staff writer at The Atlantic who obsesses over these questions as much as I do. In this conversation, she takes me through some of her reporting on local disputes that block or hinder projects, and what they say about the issues plaguing development in the country at large. We discuss how well-intentioned policies evolved into a Kafka-esque system of legal and bureaucratic hoops and delays; how clashes over development reveal a generational split in the environmental movement; and what it would take to cut decades of red tape.

Mentioned:

“Colorado’s Ingenious Idea for Solving the Housing Crisis” by Jerusalem Demsas

“The Culture War Tearing American Environmentalism Apart” by Jerusalem Demsas

“Why America Doesn’t Build” by Jerusalem Demsas

Book Recommendations:

Don’t Blame Us by Lily Geismer

The Bulldozer in the Countryside by Adam Rome

A Swim in a Pond in the Rain by George Saunders

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Kristin Lin. Fact-checking by Michelle Harris with Kate Sinclair. Our senior engineer is Jeff Geld. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

A $1.7 Million Toilet and Liberalism's Failure to Build

Back in 2018, Dario Amodei worked at OpenAI. And looking at one of its first A.I. models, he wondered: What would happen as you fed an artificial intelligence more and more data?

He and his colleagues decided to study it, and they found that the A.I. didn’t just get better with more data; it got better exponentially. The curve of the A.I.’s capabilities rose slowly at first and then shot up like a hockey stick.

Amodei is now the chief executive of his own A.I. company, Anthropic, which recently released Claude 3 — considered by many to be the strongest A.I. model available. And he still believes A.I. is on an exponential growth curve, following principles known as scaling laws. And he thinks we’re on the steep part of the climb right now.

When I’ve talked to people who are building A.I., scenarios that feel like far-off science fiction end up on the horizon of about the next two years. So I asked Amodei on the show to share what he sees in the near future. What breakthroughs are around the corner? What worries him the most? And how are societies that struggle to adapt to change and governments that are slow to react to them supposed to prepare for the pace of change he predicts? What does that line on his graph mean for the rest of us?

This episode contains strong language.

Mentioned:

Sam Altman on The Ezra Klein Show

Demis Hassabis on The Ezra Klein Show

On Bullshit by Harry G. Frankfurt

“Measuring the Persuasiveness of Language Models” by Anthropic

Book Recommendations:

The Making of the Atomic Bomb by Richard Rhodes

The Expanse (series) by James S.A. Corey

The Guns of August by Barbara W. Tuchman

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Kristin Lin and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

What if Dario Amodei Is Right About A.I.?

The internet is in decay. Do a Google search, and there are so many websites now filled with slapdash content contorted just to rank highly in the algorithm. Facebook, YouTube, X and TikTok all used to feel more fun and surprising. And all these once-great media companies have been folding or shedding staff members, unable to find a business model that works.

And into this weakened internet came the flood of A.I.-generated junk. There’s been a surge of spammy news sites filled with A.I.-generated articles. TikTok videos of A.I.-generated voices reading text pulled from Reddit can be churned out in seconds. And self-published A.I.-authored books are polluting Amazon listings.

According to my guest today, Nilay Patel, this isn’t just a blip, as the big platforms figure out how to manage this. He believes that A.I. content will break the internet as we know it.

“When you increase the supply of stuff onto those platforms to infinity, that system breaks down completely,” Patel told me “Recommendation algorithms break down completely. Our ability to discern what is real and what is false breaks down completely. And I think, importantly, the business models of the internet break down completely.”

Patel is one of the sharpest observers of the internet, and the ways technology has shaped and reshaped it. He’s a co-founder and the editor in chief of The Verge, and the host of the “Decoder” podcast. In this conversation, we talk about why platforms seem so unprepared for the storm of A.I. content; whether an internet filled with cursory A.I. content is better or worse than an internet filled with good A.I. content; and if A.I. might be a kind of cleansing fire for the internet that enables something new and better to emerge.

Mentioned:

Help us win a Webby Award

“Scenes from a dying web” by Casey Newton

“The Work of Art in the Age of Mechanical Reproduction” by Walter Benjamin

“257 CES gadgets in 3 minutes — CES 2015” by The Verge

Book Recommendations:

The Conquest of Cool by Thomas Frank

Liar in a Crowded Theater by Jeff Kosseff

Substance by Peter Hook

Everything I Need I Get From You by Kaitlyn Tiffany

Extremely Hardcore by Zoe Schiffer

Beyond Measure by James Vincent

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Claire Gordon. Fact-checking by Michelle Harris, with Kate Sinclair and Mary Marge Locker. Our senior engineer is Jeff Geld, with additional mixing from Isaac Jones and Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

Will A.I. Break the Internet? Or Save It?

There’s something of a paradox that has defined my experience with artificial intelligence in this particular moment. It’s clear we’re witnessing the advent of a wildly powerful technology, one that could transform the economy and the way we think about art and creativity and the value of human work itself. At the same time, I can’t for the life of me figure out how to use it in my own day-to-day job.

So I wanted to understand what I’m missing and get some tips for how I could incorporate A.I. better into my life right now. And Ethan Mollick is the perfect guide: He’s a professor at the Wharton School at the University of Pennsylvania who’s spent countless hours experimenting with different chatbots, noting his insights in his newsletter One Useful Thing and in a new book, “Co-Intelligence: Living and Working With A.I.”

This conversation covers the basics, including which chatbot to choose and techniques for how to get the most useful results. But the conversation goes far beyond that, too — to some of the strange, delightful and slightly unnerving ways that A.I. responds to us, and how you’ll get more out of any chatbot if you think of it as a relationship rather than a tool.

Mollick says it’s helpful to understand this moment as one of co-creation, in which we all should be trying to make sense of what this technology is going to mean for us. Because it’s not as if you can call up the big A.I. companies and get the answers. “When I talk to OpenAI or Anthropic, they don’t have a hidden instruction manual,” he told me. “There is no list of how you should use this as a writer or as a marketer or as an educator. They don’t even know what the capabilities of these systems are.”

Book Recommendations:

The Rise and Fall of American Growth by Robert J. Gordon

The Knowledge by Lewis Dartnell

Blindsight by Peter Watts

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Kristin Lin. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing from Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Rollin Hu. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

Why Do We Work So Damn Much?

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