How do we distinguish art from non-art artifacts, and what does cognitive science have to do with it? In Attentional Engines: A Perceptual Theory of the Arts (Oxford University Press, 2020), William Seeley offers a cognitive science-based account of how we engage with art, what it is that artworks do, and what artists do to make sure they do it. In his diagnostic recognition framework for locating art, artworks are communicative devices in which artists embed perceptual cues that enable the perceiver to categorize the work as intended and thereby unlock its meanings. Seeley, an associate professor at the University of Southern Maine, also considers how his framework might handle conceptual art, what goes wrong when a novice about art perceives an artwork, and the relation between the neuroscience of art and neuroaesthetics.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

William P. Seeley, "Attentional Engines: A Perceptual Theory of the Arts" (Oxford UP, 2020)

Interview with Philosophers about their New Books
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

Society & Culture

Personal Journals

History

Philosophy

Places & Travel

"What's life for if there's no time to play and explore?" In The Weirdness of the World (Princeton UP, 2024), Eric Schwitzgebel invites the reader to a walk on the wilder side of philosophical speculation about the cosmos and consciousness. Is consciousness entirely a material phenomenon? How much credence should we have in the existence of a world outside our minds? Are there multiple parallel universes? Schwitzgebel, a professor of philosophy at the University of California-Riverside, constructs chains of conditional probabilities to explore the zone just beyond the edge of what we can understand, however imperfectly, given current scientific theory. He distinguishes hypothetical scenarios that are not worth taking seriously – like being a brain in a vat – from those that are just plausible enough to deserve playful, yet motivated, consideration.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

Eric Schwitzgebel, "The Weirdness of the World" (Princeton UP, 2024)

In The Metaphysics of Meditation: Sri Aurobindo and Ādi Śaṅkara on the Īśā Upaniṣad (Bloomsbury 2024), Stephen Phillips argues that the two titular Vedānta philosophers are not as opposed as commonly thought. His book is structured as a series of essays on Aurobindo and Śaṅkara’s analysis of the early, important, and brief Īśā Upaniṣad, also including a new English translation of the text along with a translation of Śaṅkara’s commentary thereupon. Philosophically, the book investigates questions about what is metaphysically fundamental, the epistemology of mystical, meditative practices such as yoga, the limitations of human language in expressing the ineffable—and the role of poetry in these efforts, and the problem of evil facing even panentheistic monists such as Advaita Vedāntins. In many ways an introduction to Advaita Vedānta, The Metaphysics of Meditation also includes new translations of Śaṅkara’s theodicy from his Brahmasūtra commentary and his discussion of the disciplines (yogas) of meditation and action in his Bhagavad Gītā commentary.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

Stephen Phillips, "The Metaphysics of Meditation: Sri Aurobindo and Adi-Sakara on the Isa Upanisad" (Bloombury, 2024)

A lot of what we claim to know we learn from other people's testimony: they tell us, and in many ordinary contexts that is enough to gain knowledge. But for many philosophers, aesthetics is different. Such pessimists about aesthetic testimony hold that facts about aesthetic properties – such as Shakespeare's Hamlet being a tragedy, or Picasso's Guernica being anti-war – can't be transmitted by testimony, and can only be learned through first-person experience. 
In Aesthetic Testimony: An Optimistic Approach (Oxford UP, 2022), Jon Robson argues that aesthetic testimony should be treated on a par with testimony in other domains; our deference to others in aesthetic matters is about the same as it is in other areas of knowledge. Robson, who is assistant professor of philosophy at the University of Nottingham, defends a view called contextualist optimism, in which, just as with testimony in other domains, whether we obtain aesthetic knowledge depends on the context in which aesthetic judgments are transmitted.
﻿Carrie Figdor is professor of philosophy at the University of Iowa.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

Jon Robson, "Aesthetic Testimony: An Optimistic Approach" (Oxford UP, 2022)

In our day-to-day lives, we are subject to normative requirements, obligations, and expectations that originate in the social roles we occupy. For example, professors ought to pursue the truth, while parents ought to be supportive of their children. What’s interesting is that these role-specific requirements seem to befall us. We do not choose them. This raises the puzzle of what accounts for their normativity.
In Social Goodness: The Ontology of Social Norms (Oxford University Press 2023), Charlotte Witt proposes a novel and intriguing conception of the nature of social norms and the source of their normativity. The centerpiece of her account is the idea that we must look to various examples of artisanal practices, dispositions, and techniques to understand social norms.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

Charlotte Witt, "Social Goodness: The Ontology of Social Norms" (Oxford UP, 2023)

Swearing can be a powerful communicative act, for good or ill. The same word can incite violence or increase intimacy. How is swearing so multivalent in its power? Is it just all those harsh “c” and “k” sounds? Does swearing take its power from taboo meaning? Why is swearing sometimes so funny? In For F*ck’s Sake: Why Swearing Is Shocking, Rude, and Fun (Oxford University Press, 2023), Rebecca Roache, host of the podcast The Academic Imperfectionist, offers us rich insights into the complex importance of swearing to help us understand who gets judged too harshly for doing it, why it’s important to be able to offend with swearing, why we might need to advocate for some swear words, and so much more.
Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

William P. Seeley, "Attentional Engines: A Perceptual Theory of the Arts" (Oxford UP, 2020)

Download our free app to listen on your phone