Host Meg Wolitzer presents three works about women who defy the status quo and might therefore be perceived as “dangerous” in this encore presentation.  In Margaret Atwood’s “Unpopular Gals,” fairy-tale archetypes reclaim their power. The reader is Ann Harada.  A boisterous and brilliant student threatens to upend the order of her high school in Shanteka Sigers’ “A Way with Bea,” performed by Pascale Armand.  And a Victorian-era wife fights for her sanity in Charlotte Perkins Gilman’s classic “The Yellow Wallpaper,” performed by Carrie Coon.  The show also includes commentary by journalist and activist Mona Eltahawy.

Dangerous Women

Our greatest actors transport us through the magic of fiction, one short story at a time. Sometimes funny. Always moving. Selected Shorts connects you to the world with a rich diversity of voices from literature, film, theater, and comedy. New episodes every Thursday, from Symphony Space.

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Fiction

Host Meg Wolitzer presents three works that offer unusual perspectives on clothes and fashion—selling, making, and coveting. In Anne Enright’s “(She Owns) Everything,” read by Mary-Louise Parker, a saleswoman becomes a compulsive consumer. In “Clothes on the Ground: A Conversation with Leap,” we hear from a Cambodian garment worker, interviewed by Julia Wallace for the compendium Women in Clothes. Leap is voiced by Jennifer Lim. And shopping is an antidote to aging in Joanne Harris’s “Faith and Hope Go Shopping,” read by Lois Smith.

Wear and Tear

Host Meg Wolitzer presents two unconventional love stories, one classic, one contemporary, that avoid the usual tropes of “meet cute,” “opposites attract,” or “happily ever after” but are still engaging.  In “Love in the Slump,” by Evelyn Waugh, clueless upper-crust newlyweds are sent on a comic odyssey.  The reader is Jane Kaczmarek.  And Esther Yi’s “Moon” explores something we often mistake for love—obsession, as a young woman is drawn farther and farther into K-Pop fandom.  The story was selected by guest editor Min Jin Lee for Best American Short Stories 2023.  It’s read by Hettienne Park.  And we hear Lee’s and Park’s thoughts about the story.

Nothing To Do With Love

Guest host Jane Kaczmarek presents two stories from the Best American Short Stories 2021 anthology selected by guest editor Jesmyn Ward. Both involve adolescents facing displacement or rejection, but the stories are set in very different environments: One takes place in a surreal, Soviet-occupied Afghanistan, and one inside a junior high school in Tennessee.  First, Leo Solomon reads “Playing Metal Gear Solid: The Phantom Pain,” by Jamil Jan Kochai.  Then we hear “Biology,” a beautiful story by Kevin Wilson, performed by Mike Doyle.  And Ward comments briefly on her approach to creating this year’s diverse anthology.

Best American Short Stories 2021 with Jesmyn Ward

Host Meg Wolitzer presents four stories in which characters shape their expectations and dreams to a manageable size in collaboration with Belletrist Book Club. So if you’re “Medusa,” as in our first story, by Tania James, you try to figure out how to live in the world instead of turning it to stone. The reader is Constance Zimmer. Parents in our second story, “We Only Wanted Their Happiness,” by Alexander Weinstein, make a tactical choice about technology. It’s performed by Randall Park. The narrator of Honor Levy’s “Good Boys,” read by Annie Hamilton, understands that infatuation is a phase. And a man and a woman sidestep romance in “Arrangements” by Charlie Watts, performed by Laura Harrier and Will Harrison. The show was recorded at the Getty Center in Los Angeles and features commentary by Emma Roberts and Karah Preiss of Belletrist Book Club. 

Since 2017, Belletrist Book Club has chosen more than 75 titles for the book club and dozens more for myriad content features across Instagram, TikTok, Facebook, and the newsletter The Belletrist Brief. In 2019, Emma Roberts and Karah Priess spun out Belletrist Book Club into a production company called Belletrist Productions. 
https://www.belletrist.com/

Modest Expectations

Host Meg Wolitzer shares three stories about people who put things out of sight—and try to put them out of mind. In Lisa Ko’s “Nightlife,” read by Vanessa Kai, a pair of friends quietly sidestep feelings that might complicate their relationship. A teacher tries to help a parent see who her child really is in “The Hole” by Patrick Cottrell, performed by Becca Blackwell. And Elizabeth Strout brings us a beautiful and devastating story of a woman grappling with whether to put her mother into institutional care in “Home,” performed by Mia Dillon. Strout talks with Wolitzer after the reading. All three works were commissioned for the Selected Shorts’ anthology, Small Odysseys.

Dangerous Women

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