In the wake of Charlie Kirk's assassination on Sept. 10, NYT reporter Robert Draper talks with Terry Gross about the conservative activist's rise and legacy. Draper profiled Kirk earlier this year and stayed in touch up to the day before his death. We also discuss right-wing extremist Nick Fuentes, a rival of Kirk’s with a large following.  

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Science writer Mary Roach is fascinated by the human body, especially, she says, the "gooey bits and pieces of us that are performing miracles on a daily basis. Roach has done deep dives on human cadavers, the digestive system and the science of sex. Now, in Replaceable You, she chronicles both the history of body part replacement (including prosthetic noses that date back to the 1500s), and more recent medical breakthroughs in regenerative medicine. Roach spoke with Terry Gross. 

This month marks Terry's 50th anniversary as host of Fresh Air. To commemorate the milestone, Sam Fragoso interviewed Terry for his podcast Talk Easy. In this excerpt, Gross shares her life motto and tells a story about writing song lyrics in high school. 

Listen to the full episode of Terry Gross on Talk Easy with Sam Fragoso.Follow Fresh Air on instagram @nprfreshair, and Talk Easy @talkeasypod. The video version will be on YouTube this week. 

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Pulitzer Prize-winning journalist Trymaine Lee's new memoir, A Thousand Ways to Die: The True Cost of Violence on Black Life in America, is part history, and part personal. He traces the bloody history Black Americans have with firearms, recalls the gun violence in his own youth and follows his ancestors’ path back to Ghana. The book reads like a plea for people to see the humanity of those lost to gun violence — and for this country to care enough to act. Lee spoke with Tonya Mosley about the toll of writing about Black death. 

Also, Kevin Whitehead reviews a new anthology of Joni Mitchell's jazz connections. 

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This month marks 50 years of Terry Gross as the host of Fresh Air. What began in 1975 as a local experiment at WHYY in Philadelphia has since grown into a national institution—one that not only transformed public radio, but laid the groundwork for the world of podcasting.To commemorate a half-century on the air, Terry Gross joins us for a rare appearance in the interview seat. At the top, we discuss her Brooklyn upbringing (11:39), early memories of writing (14:13), and her improbable road to public radio (30:51). Then, Terry walks us through the formative years of Fresh Air (34:50) and its seminal conversations with Kurt Vonnegut (41:34), John Updike (47:43), Monica Lewinsky (50:43), Joan Didion (1:02:08), and more.On the back-half, Gross reflects on forty-seven years of partnership with her late husband, jazz writer Francis Davis (1:04:37), their shared affinity for reading and music (1:07:10), the future of public media (1:20:29), and why she continues to have faith in (and love for) the long-form interview (1:32:48).

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Rob Reiner talks with Terry Gross about directing the new sequel to Spinal Tap, the mockumentary about a heavy metal band.  He’ll  also talk about his remarkable life and career, like directing When Harry Met Sally and starring in All in the Family. 

Also, singer songwriter and guitarist Billy Strings is one of the rare bluegrass musicians who can fill arenas with tens of thousands of fans. He’s been working to get to where he is for a long time.
"I slept with my guitar when I was four or five years old, I'd put it right under the blankets with me, and I used to kiss it good night." Strings spoke with Fresh Air's Sam Briger and brought his guitar to the studio. 

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The Netflix miniseries follows a 13-year-old accused of murdering a girl from his school. Co-creator and star Stephen Graham says he read about similar crimes and wanted to know: "Why is this happening?" Graham spoke with Sam Briger about the crime that inspired the show, fatherhood, and the unusual way the show was shot — in one single take. Adolescence has 13 Emmy nominations. 

Film critic Justin Chang reviews Downton Abbey: The Grand Finale.

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Veteran Air Force linguist Reality Winner was working at the NSA in 2017 when she leaked a classified document to the press about Russian election interference. Soon after, the FBI showed up at her door. She was sentenced to five years in prison and was released in 2021. Winner's new memoir is I Am Not Your Enemy. She spoke with Terry Gross.

Also, John Powers reviews the MUBI series Mussolini: Son of the Century about the ferocious rise of the Italian dictator. 

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Before 2026's midterms, President Trump wants to ban mail-in ballots and electronic voting machines, and change voting rules. Legal expert Richard Hasen discusses the future of free and fair elections in America. "What's it going to mean to have to stand up to the government to make sure that people have their right to vote?" Hasen says. "I think it's very unlikely that the president would say the elections are canceled, but there's lots of things he could do with his power, with the military, with his power over federal government machinery that can make it very difficult for some people to vote."    
Also, book critic Maureen Corrigan reviews Patrick Ryan's novel Buckeye. 

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Reiner's 1984 mockumentary This Is Spinal Tap sparked a new genre of satire. Now, more than 40 years later, the band is back in a new sequel, Spinal Tap II: The End Continues. "They have grown neither emotionally or musically," Reiner says. The filmmaker spoke with Terry Gross about When Harry Met Sally, growing up around comedy legends, and starring in Norman Lear's seminal sitcom All in the Family. 

Also, David Bianculli reviews the new comedy series The Paper. 

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The Grammy-winning singer, songwriter and guitarist has one foot in traditional bluegrass and another in improvisational jam music. He has a new album, Live at the Legion, and he brought his guitar to our studio. He spoke with Sam Briger about healing himself through songwriting, performing the day his mom died, and how being a father has changed him as a musician. "I sing now from a place of freedom and joy in my belly," Strings says.
 
Also, jazz critic Martin Johnson reviews an album from harpist Brandee Younger. 

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