Martin Scorsese's Killers of the Flower Moon is everything an Oscar contender might be: long, epic, morally complicated and expensive. While many movie-goers left theaters moved, others called the film a problematic disaster. Today, we're bringing you an episode of NPR's It's Been A Minute, where host Brittany Luse and guests talk about what Killers of the Flower Moon got wrong and how it fits into a broader history of Native Americans on screen.

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Rethinking Killers Of The Flower Moon

Get obsessed with us. Five days a week, Pop Culture Happy Hour serves you recommendations and commentary on the buzziest movies, TV, music, books, videogames and more. Join arts journalists Linda Holmes, Glen Weldon, Stephen Thompson, and Aisha Harris - plus a rotating cast of guest pop culture aficionados. The Happy Hour team leaves room at the table for exploring a range of reactions and opinions on every bit of the pop universe. From lowbrow to highbrow to the stuff in between, they take it all with a shot of cheer.

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Sometimes, our favorite musical artists are too good to be true because they're sprung from the imaginations of Hollywood screenwriters. But what makes a fake band great? Today, we are debating the best fictional bands in TV and film  — including from Mamma Mia!, Josie and the Pussycats, It's Your Move, and Miami Connection. 

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Best Fictional Bands And What's Making Us Happy

The Peacock series We Are Lady Parts is a bold and very funny comedy about an up-and-coming London punk band called Lady Parts. The members of Lady Parts, and its manager, are all young Muslim women, from various racial and ethnic backgrounds. Over the course of its first season, each member experiences triumphs and setbacks – including its lead guitarist, who strives to overcome stage fright. The show is about to return for a new season, so today, we are revisiting our conversation about it.

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We Are Lady Parts rocks with bracing honesty and nuance

What is it about a show that turns you into a bitter-ender, that keeps you dutifully watching every last episode, long after the train has jumped the tracks? Even when you know it's not good, but, for you anyway, it's just good enough to muddle through, all the way to the finale? Today, we're talking about terrible but bingeable TV shows.

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Terrible but bingeable TV shows

Today, we are bringing you an episode of a new NPR podcast hosted by our pal Rachel Martin. It's called Wild Card, and it's a new interview show where the game controls the conversation. Each week, the guest chooses questions at random — about the memories, insights, and beliefs that have shaped their lives. This episode is an interview with the actor Pop Culture Happy Hour listeners voted as their favorite Chris — Chris Pine.

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Why Chris Pine gave up on being perfect

Furiosa: A Mad Max Saga is packed with bone-crunching practical stunts and lots of gnarly, diesel-powered chase scenes. It also shows a commitment to worldbuilding that grapples with themes of feminism, environmentalism, and humanity. Directed by George Miller, the prequel film tells the story of a Furiosa (Anya Taylor-Joy), who was taken from her home as a girl, raised to be a warrior in a post-apocalyptic wasteland, and now seeks revenge on an evil warlord (Chris Hemsworth).

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Rethinking Killers Of The Flower Moon

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