When you’re the only one who can see something, sometimes it feels like you’re in on a special secret. The hard part is getting anyone to believe your secret is real. This week, people trying to show others what they see—including a woman with muscular dystrophy who believes she has the same condition as an Olympic athlete.

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• Prologue: Ira asks Jeff Emtman to do the impossible—describe the indescribable color he sees in his left eye. (5 minutes)
• Act One: Journalist David Epstein tells the story of Jill Viles, who has muscular dystrophy and can’t walk. But she believes that she somehow has the same condition as one of the best hurdlers in the world, Priscilla Lopes-Schliep. (36 minutes)
• Act Two: Producer Nancy Updike speaks with comedian Tig Notaro about her mother-in-law, Carol. Carol came up with a joke that is only funny to one person—herself. But she loved it so much, Tig had to have her perform it onstage. (9 minutes)
• Act Three: Actor Alex Karpovsky reads a short story by Etgar Keret, from his book, “The Bus Driver Who Wanted To Be God." (4 minutes)

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Summer is a time when change seems more possible than ever. But is that really how it happens? Can people actually reinvent themselves in the warmer months? This week, we present stories — and some comedy — about people and their summer selves.

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• Prologue: Host Ira Glass reflects on his feelings about going to the beach. (3 minutes)
• Act One: Producer Dana Chivvis explores the case of a 66-year-old working lifeguard who is suing New York State for age discrimination after refusing to wear a Speedo on the job. (16 minutes)
• Act Two: A troupe of comedians tells personal stories about summer experiences and improvises scenes based on them. (23 minutes)
• Act Three: Producer Neil Drumming tells the story of his dad and his family’s timeshare in Orlando, Florida. (14 minutes)

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People on a mission to achieve their goals before their window of opportunity closes.

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• Prologue: Guest host Emmanuel Dzotsi goes to a packed sports bar in Brooklyn for his favorite soccer team’s biggest game in years. (6 minutes)
• Act One: Connie Wang tells the story of a championship window she didn't realize she was in — until it was too late. (14 minutes)
• Act Two: Seth Lind, our Operations Director, isn’t a crier. But he wants to connect with his emotions, so guest host Emmanuel Dzotsi sets up an unconventional experiment. (14 minutes)
• Act Three: Two college baseball teams with horrible losing streaks — a combined 141 games — are scheduled to play each other. One of them must finally win. (14 minutes)

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On his first day in office, President Trump decided to freeze all U.S. foreign aid. Soon after, his administration effectively dissolved USAID—the federal agency that delivers billions in food, medicine, and other aid worldwide. Many of its programs have been canceled. Now, as USAID officially winds down, we try to assess its impact. What was good? What was not so good? We meet people around the world wrestling with these questions and trying to navigate this chaotic moment.

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• Prologue: Just one box of a specially enriched peanut butter paste can save the life of a severely malnourished child. So why have 500,000 of those boxes been stuck in warehouses in Rhode Island? (13 minutes)
• Act One: USAID was founded in 1961. Since then, it has spent hundreds of billions of dollars all over the world. What did that get us? Producer David Kestenbaum talked with Joshua Craze and John Norris about that. (12 minutes)
• Act Two: Two Americans moved to Eswatini when that country was the epicenter of the AIDS epidemic. With support from USAID, they built a clinic and started serving HIV+ patients. Now that US support for their clinic has ended, they are wondering if what they did was entirely a good thing. (27 minutes)
• Act Three: When USAID suddenly stopped all foreign assistance without warning or a transition plan, it sent people all over the world scrambling. Especially those relying on daily medicine provided by USAID. Producer Ike Sriskandarajah spoke to two families in Kenya who were trying to figure it out. (8 minutes)

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In honor of Father’s Day, stories of sons and daughters finding out the one thing they've always wanted to know about their father. The answers aren't always what they’d hoped for.

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• Prologue: As a kid, Aric Knuth sent cassette tapes to his dad, a merchant marine gone for months at a time. He’d leave one side blank and ask for a reply—but none ever came. Aric talks to Ira Glass about what it was like to finally ask his dad why. (7 minutes)
• Act One: Lennard Davis was always told to avoid his no-good Uncle Abie. After his father died, Abie claimed he was actually Lenny’s biological father via artificial insemination. At first, the story seemed possible, then doubtful. It took Lenny more than 20 years to sort out whether it was true, and he finds out the answer—definitively—as tape is rolling. (31 minutes)
• Act Two: Paul Tough’s father was a mild-mannered professor—until he suddenly left the family to pursue a lifelong quest: making contact with extraterrestrial life. For the first time, Paul joins him and asks the questions he’s long kept to himself about his father’s alien pursuits. (18 minutes)

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We got a tip about a meat plant selling pig intestines as fake calamari, wondered if it could be true, and decided to investigate. Doppelgängers, doubles, evil twins and not-so-evil twins, this week. Fred Armisen co-hosts with Ira Glass.

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• Prologue: Fred Armisen worked up an imitation of Ira and put it into a sketch on Saturday Night Live a couple of years ago. But when they rehearsed it with an audience, there was not a roar of recognition; it seemed like Ira might not be famous enough to be mocked on network TV. Armisen finally gets a go as Ira’s doppelgänger in our studios by co-hosting this episode. (4 minutes)
• Act One: Ben Calhoun tells a story of physical resemblance — not of a person, but of food. A while ago, a farmer walked through a pork processing plant in Oklahoma with a friend who managed it. He came across boxes stacked on the floor with labels that said "artificial calamari." So he asked his friend "What’s artificial calamari?" "Bung," his friend replied. "Hog rectum." Have you or I eaten bung dressed up as seafood? Ben investigated. (26 minutes)
• Act Two: For decades, the writer Alex Kotlowitz has been writing about the inner cities and the toll of violence on young people. So when he heard about a program at Drexel University where guys from the inner city get counseling for PTSD, he wondered if the effect of urban violence was comparable to the trauma that a person experiences from war. Kotlowitz talks to a military vet from Afghanistan and a guy from Philadelphia who’s lived in some pretty bad neighborhoods to find out if they are doubles of some sort. (23 minutes)

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Conversations across a divide: People who are outside a war zone check in with family, friends, and strangers inside.

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• Prologue: The Hammash family’s group chat unfolds over texts, starting before the war. (8 minutes)
• Act One: When Yousef Hammash left Gaza a year ago, his sisters decided to stay behind. We hear about the toll that separation has taken on Yousef and the sister he’s closest to, Aseel. (30 minutes)
• Act Two: Mohammed Mhawish, a reporter who left Gaza a year ago with his family, talks to a young woman in Gaza about how she manages her hunger. Israel blockaded all food from Gaza for more than two months. (15 minutes)
• Coda: Chana gives a short update about Banias, a 9-year-old girl in Gaza she's been speaking with for months. (4 minutes)

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A show about people who are suddenly confronted with who they are.

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• Prologue: Guest host Aviva DeKornfeld tells Ira Glass about breaking into a community pool as a kid, and the split-second decision that has haunted her ever since. (4 minutes)
• Act One: Some people are great in a crisis. Others, not so much. Does that mean anything about who we really are? Tobin Low investigates. (10 minutes)
• Act Two: Aviva DeKornfeld has the story of Leisha Hailey, who was certain she had the next million-dollar idea. (11 minutes)
• Act Three: Comedian Mike Birbiglia talks about the questions his daughter asks him and how trying to answer them showed him surprising reflections of himself.  (15 minutes)
• Act Four: David Kestenbaum tells the story of the suspicious disappearance of multiple shoes and a woman determined to explain it. (8 minutes)

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Boen Wang has a theory that a lot of the misery in his life can be traced to a single moment that happened years before he was born. So he makes a pilgrimage to see if he’s right.

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• Prologue: Ira talks about what it’s like to go back to 1119 Bayard Street in Baltimore. (6 minutes)
• Part One: Boen visits Norman, Oklahoma, where he was born, to meet the man he thinks changed his parents’ lives—and his life, too. (31 minutes)
• Part Two: Boen’s friend, Andrew, and his parents take what he learned in Part One, throw it into a blender, and push puree. (20 minutes)

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Mike Birbiglia got used to strange things happening to him when he slept—until something happened that almost killed him. This and other reasons to fear sleep, including bedbugs, "The Shining," and mild-mannered husbands who turn into maniacs while asleep.

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• Prologue: Host Ira Glass talks about his fear of sleep, and reports on other people who have very strong reasons of their own to fear bedtime. (8 minutes)
• Act One: Mike Birbiglia talks about the sleepwalking that nearly killed him. (13 minutes)
• Act Two: Producers Nancy Updike and Robyn Semien report on critters that can kill sleep: cockroaches and bedbugs. (11 minutes)
• Act Three: Joel Lovell explains why, as an 11-year-old, he trained himself not to fall asleep, and how that had some unintended consequences. (10 minutes)
• Act Four: Seth Lind explains how he ended up watching Stanley Kubrick's The Shining when he was six years old, and how it led to two years where every night he had trouble falling asleep and nightmares. (7 minutes)
• Act Five: For some people, the fear of sleep is linked to the fear of death. We hear from some of them. (5 minutes)

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