By olekk.13
The podcast currently has 14 episodes available.
[Intro]
Oh, yes
Oh, slide
[Verse]
Xenon's with the blue color
If that's a lease, least it look cool on you
That's your business, and I'm off, when I'm on you
Like holidays, I get off on you
“Xenons” is the eighth track on Frank Ocean’s visual album Endless. Originally thought to be the outro of “Comme des Garçons,” the song was revealed on the tracklist of the CD/LP & DVD/VHS reissues of Endless, released on Cyber Monday 2017; the track was not listed in the title sequence of the 2016 Apple Music release despite its appearance during the visual album itself. “Xenons” is 31 seconds in length and acts as an interlude between “Comme des Garçons” and “Honeybaby.”
The title refers to Xenon, the 54th element on the periodic table, used to make neon signs and headlights on cars. Ocean’s love for cars is well documented, one example being the cover of his 2011 mixtape nostalgia, ULTRA, which features a bright orange 1980s BMW E30 M3, Ocean’s “dream car.” He also often posts about cars on his Tumblr page.
**Credits**
**Producers**
Frank Ocean, Vegyn
**Writers**
Frank Ocean, Vegyn
**Mixing Engineers**
Tom Elmhirst, Noah Goldstein
**Assistant Mixing Engineer**
Joe Visciano
**Recording Engineer**
Caleb Laven
**Additional Recording**
Beatriz Artola, Greg Koller, Eric Caudieux
**Programmer**
Vegyn
**Label**
Def Jam Recordings, Fresh Produce, LP, blonded
**Copyright ©**
Fresh Produce, LP, Boyfriend (Label)
**Phonographic Copyright ℗**
Fresh Produce, LP
**Recorded At**
MSR Studios
**Release Date**
August 19, 2016
**Tags**
R&B, EDM, Alternative R&B
**US:** © Under Section 107 of the Copyright Act 1976, "fair use" allows the use of copyrighted material for criticism, comment, news reporting, teaching, scholarship, and research. This use is permitted by law and may favor non-profit, educational, or personal purposes.
**EU:** © The EU Copyright Directive 2001/29/EC permits the use of copyrighted material under certain exceptions for criticism, review, news reporting, teaching, and research. Non-commercial, educational, or personal use may support these exceptions.
Aug. 19, 2016
Device Control — 00:28
At Your Best (You Are Love) (feat. James Blake, Jonny Greenwood, and the London Contemporary Orchestra) — 00:51
Alabama (feat. Sampha and Jazmine Sullivan) — 6:11
Mine (feat. Arca) — 7:37
U-N-I-T-Y — 8:07
Ambience 001: In A Certain Way — 11:01
Commes Des Garcons — 11:12
Ambience 002: Honeybaby — 12:11
Wither (feat. Alex G and Jazime Sullivan) — 12:51
Hublots (feat. Jazmine Sullivan) — 15:25
In Here Somewhere — 15:45
Slide On Me (feat. Alex G) — 18:57
Sideways — 22:07
Florida — 23:59
Deathwish (ASR) — 25:49
Rushes (feat. Alex G and Jazime Sullivan) — 26:33 ish?
Rushes To — 27:09
Higgs (feat. Alex G) — 32:44
Device Control — 38:43
**Endless** is a visual album by Frank Ocean, released on August 19, 2016, just before his second studio album **Blonde**. This project completed Ocean's contract with Def Jam Recordings, allowing him to release Blonde independently.
**Endless** is exclusively available as a music video on Apple Music. A remastered audio-only version, released in 2017 on CD and LP, is not available on streaming services. The visual album was filmed at the M. Blumberg warehouse in Brooklyn, New York, and features Ocean building a 12-foot staircase.
A color version of the album surfaced online in May 2024, shared by visual effects artist Grant Lau, but it is not officially released. Artist Tom Sachs, who collaborated with Ocean, described the video as Ocean building a "stairway to heaven," noting the transparency in both the construction process and the music.
The visual album's total runtime is approximately 46 minutes, with minor differences between various versions. Sachs also built a large boombox, Toyan’s Arsenal, featured in the visual album, symbolizing a connection to Jamaican sound systems.
**Credits**
**Executive Producer**
Frank Ocean
**Producers**
Frank Ocean, Vegyn, TROY NōKA, Michael Uzowuru
**Video Director**
Frank Ocean
**Video Director of Photography**
Francisco Soriano
**Video Production Designer**
Thomas Mastorakos
**Video Producer**
Wendi Morris
**Mixing Engineers**
Tom Elmhirst, Noah Goldstein
**Mastering Engineer**
MIKE DEAN
**Recording Engineer**
Caleb Laven
**Label**
Def Jam Recordings, Fresh Produce, LP
**Publisher**
EMI Music Publishing
**Primary Artists**
Frank Ocean, Wolfgang Tillmans
**Writers**
Frank Ocean, 88-Keys, Arca, Michael Uzowuru, TROY NōKA, Vegyn, Wolfgang Tillmans
**Orchestra**
London Contemporary Orchestra
**Photography**
Thomas Mastorakos
**Distributor**
Apple Music
**Background Vocals**
Jazmine Sullivan
**Guitar**
Alex G, Austin Anderson, Frank Ocean, Spaceman Patterson
**Synthesizer**
Buddy Ross, James Blake, Kyle Combs, Tim Knapp, TROY NōKA
**US:** © Under Section 107 of the Copyright Act 1976, "fair use" allows the use of copyrighted material for criticism, comment, news reporting, teaching, scholarship, and research. This use is permitted by law and may favor non-profit, educational, or personal purposes.
**EU:** © The EU Copyright Directive 2001/29/EC permits the use of copyrighted material under certain exceptions for criticism, review, news reporting, teaching, and research. Non-commercial, educational, or personal use may support these exceptions.
[Intro]
Go, go, go
[Verse 1]
Forbidden from the beginnin', I saw her there, up there
Been like that since I met her, they said I couldn't have her
Way out of my league, I never believed it
Gotta get her heart, I gotta make her mine
But what if she just tells me I'm not quite her speed or
Shows me her bare hands and crushes my ego?
Dismiss me as a kid, tells me I'm barely legal
But barely legal is legal
[Chorus]
You ain't gone get in trouble
Messin' with someone a little younger, younger
You ain't gone get in trouble
For messin' with someone a little younger
Who loves ya
Girl, if I gotta show ID (Show I-, show ID)
Then I'm gonna (Gonna)
Won't let you get in trouble
For messin' with someone a little younger
Younger, no
[Verse 2]
This conversation is taking us for a loop
But taking you serious is difficult to do
'Cause I don't believe ya
When you say that you don't
Ever look at me quite that way (That way)
You say that you tryin' to settle down
But you think I'm handsome
I should be having fun
I shouldn't move fast
So, let's go slower, not faster
'Cause it ain't no fun
Without ya
[Chorus]
You ain't gone get in trouble
Messin' with someone a little younger, younger
You ain't gone get in trouble
For messin' with someone a little younger
Who loves ya
Girl, if I gotta show ID (Show I-, show ID)
Then I'm gonna (Gonna)
Won't let you get in trouble
For messin' with someone a little younger
Younger, no
“Trouble” is about wanting to mess around with an older woman. It is in The Lonny Breaux Collection.
In the song Frank is assuring, or reassuring whoever he’s talking to that it is okay to be with him. Even if they get in trouble, he has proof that he could be considered “old enough”.
**Credits**
**Writer**
Frank Ocean
**Release Date**
January 1, 2012
**Tags**
R&B, Unreleased
**US:** © Under Section 107 of the Copyright Act 1976, "fair use" allows the use of copyrighted material for criticism, comment, news reporting, teaching, scholarship, and research. This use is permitted by law and may favor non-profit, educational, or personal purposes.
**EU:** © The EU Copyright Directive 2001/29/EC permits the use of copyrighted material under certain exceptions for criticism, review, news reporting, teaching, and research. Non-commercial, educational, or personal use may support these exceptions.
0:00 - Street Fighter
0:22 - Strawberry Swing
4:17 - Novacane
9:17 - We All Try
12:08 - Bitches Talkin’
12:29 - Songs For Women
16:42 - Lovecrimes
20:42 - Goldeneye
21:00 - There Will Be Tears
24:14 - Swim Good
28:30 - Dust
31:03 - American Wedding
35:07 - Can’t Do
36:02 - Soul Calibur
36:19 - Nature Feels
### nostalgia,ULTRA.
**Frank Ocean**
Released February 16, 2011
**nostalgia, ULTRA** is Frank Ocean’s debut mixtape, released on his Tumblr and Odd Future’s Bandcamp with minimal promotion. Inspired by the aftermath of Hurricane Katrina, the mixtape explores themes of relationships, personal reflection, and social commentary. Ocean described it as a deeply personal project born from heartbreak.
Initially tagged with the genre Bluegrass, Ocean explained this choice as a playful take on genre conventions. Despite plans for an EP release, the mixtape remained a free download, though singles like “Novacane” and “Swim Good” were officially released.
**Critical Reception:**
The mixtape received universal acclaim, with a Metacritic score of 83. Critics praised its careful plotting and unique songwriting.
**Impact:**
The mixtape caught the attention of major artists like Kanye West and Beyoncé, leading to significant collaborations. Nas also praised Ocean's fresh sound.
**Accolades:**
Included in many ‘Best Albums of 2011’ lists, the mixtape, though not RIAA certified, saw its lead single “Novacane” achieve Platinum status.
**Title Variations:**
The mixtape's title has several stylizations, reflecting Ocean's spontaneous naming process.
**Legacy:**
nostalgia, ULTRA established Frank Ocean as a distinctive voice in music, setting the stage for his future successes.
**Credits**
**Photography**
Dricebug
**Artwork**
Frank Ocean
**Copyright ©**
Frank Ocean
**Phonographic Copyright ℗**
Frank Ocean & Odd Future
**Publisher**
Frank Ocean & Odd Future
**Distributor**
Tumblr & Bandcamp
**Producers**
Frank Ocean, Happy Perez, James Fauntleroy, Maejor, Midi Mafia, Tricky Stewart, TROY NōKA
**Writers**
Andrew VanWyngarden, Ben Goldwasser, Bernie Leadon, Bruce Waynne, Charlie Gambetta, Chris Martin, Dirty Swift, Don Henley, Ed O’Brien, Frank Ocean, Glenn Frey, Guy Berryman, Happy Perez, James Fauntleroy, Jonny Buckland, Jonny Greenwood, Maejor, Mr. Hudson, Monte Neuble, Philip Selway, Randy Meisner, Thom Yorke, Tricky Stewart, TROY NōKA, Will Champion
**Background Vocals**
Brandy, Tyler, The Creator
**Bass**
Alex Al
**Label**
Def Jam Recordings
**Copyright ©**
Def Jam Recordings
**Distributor**
Universal Music Group
**Engineer**
Brian “B-LUV” Thomas
**Keyboards**
Monte Neuble, Tricky Stewart
**Mixing Engineers**
Andrew Wuepper, Ariel Chobaz
**Phonographic Copyright ℗**
Def Jam Recordings
**Publisher**
Amaya Sofia Publishing, Bei Maejor Music, BMG, BMG Bumblebee, Break North Music, FriedChickenOnSunday Music, Heaven’s Research, Kobalt Music, Latino Velvet Music, Maejor Music, Minder Music, OSS Music, Remarkable Music, RZE Music Publishing, Sony Music Entertainment, Universal Music Group, Waynne Writers
**Recording Engineers**
Andrew Wuepper, Calvin Bailiff, Red Vision
US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.
16 de febrero de 2011
© 2015 Odd Future
00:00 - Wim Hof Interview ("blonded Xmas")
23:58 - "Come On World, You Can't Go!" - Frank Ocean Freestyle
32:37 - Dr. James Fadiman Interview ("blonded Lucy in the Sky with Diamonds")
1:07:37 - Master Mingtong Gu Interview ("blonded ENERGY!")
1:24:16 - Outro Instrumental ("blonded ENERGY!")
###Description:
In this special edition of **blonded RADIO**, Frank Ocean presents a captivating holiday episode featuring insightful interviews with Wim Hof, Dr. James Fadiman, and Master Mingtong Gu. Originally aired on December 25, 2021, this episode is part of Frank Ocean's tradition of holiday specials, following similar features in 2018 and 2019.
**Highlighted Interviews:**
- **Wim Hof**: Known as "The Iceman," Hof discusses his revolutionary method of breathing and cold exposure, which has garnered global attention for its potential to improve mental and physical health. The episode's cover art even features a sprite inspired by Hof.
- **Dr. James Fadiman**: A pioneer in psychedelic research, Fadiman delves into the therapeutic potential of psychedelics and their impact on creativity and mental health, sharing insights from his extensive studies.
- **Master Mingtong Gu**: A Qi Gong master, Gu explains the energy practices of Qi Gong and their profound ability to heal and revitalize the body and mind.
**Music and More**:
- Frank Ocean debuts an exclusive freestyle titled "Come On World, You Can’t Go!" a nearly nine-minute piece reflecting on grief and resilience, inspired by his conversation with Wim Hof. This freestyle, recorded in the summer of 2020 and revisited later, closes the episode.
- Musical interludes curated by Ocean, Vegyn, Roof Access, and Federico Aliprandi enrich the listening experience, blending seamlessly with the interviews.
Frank Ocean, along with his co-hosts Vegyn, Roof Access, and Federico Aliprandi, brings a unique blend of music, skits, and interviews to this Apple Music-exclusive radio show. Blonded RADIO episodes are available for on-demand streaming with an Apple Music subscription, offering listeners a curated experience filled with new singles, thoughtful conversations, and exclusive content.
Tune in to blonded RADIO on Apple Music for an episode that promises to be both informative and emotionally resonant, perfect for those seeking inspiration and insight from some of the most unique voices in their fields.
### Album Summary for the Public:
In this holiday special of blonded RADIO, Frank Ocean interviews Wim Hof, Dr. James Fadiman, and Master Mingtong Gu. Hof shares his method of breathing and cold resistance; Fadiman explores the benefits of psychedelics; and Gu introduces the healing practices of Qi Gong. The episode closes with an emotional freestyle from Ocean, reflecting on grief and resilience. Blending music and profound conversations, this episode is available exclusively on Apple Music.
**Where to Listen:**
- **blonded RADIO** is available on Apple Music 1, with episodes and playlists accessible for on-demand streaming to Apple Music subscribers.
US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.
[Intro]
Mmh, oye
Yeh, yeh, yeh
Yeh, yeh, yeh
Oye, ah (Tu-ru-rú)
[Verso 1]
Estoy consola mientras fumo hachís (Smoke)
Mami, no te vengas sola, tráete un par de hachís (Girls)
Mézclate el ron y la cola, vámonos de party (Let's go)
No vengas a molestar (Ey, no vengas más)
Oye, esa' bitches hablan mal de mí, pero eso es muy fácil (Bitches)
Yo de lejos ya lo vi venir, quieren fama gratis (Easy)
Loco estoy tan lejos de ti que me pongo happy
No vengas a molestar, uoh-oh-oh (IOh, yeah)
[Estribillo]
De Taiwán, de Taiwán, de Taiwán (De Taiwán)
Con los ojos que parezco de Taiwán (Ah-ah-ah)
De Taiwán, de Taiwán, de Taiwán (Yes)
No vengas a molestar, uoh-oh-oh (Chinito)
[Verso 2]
Yo no voy en un Ferrari (Fium), voy en autobús (Je)
Prefiero gastar en mari lo que gane en el tour (Money)
Hola, yo me llamo Dani, ¿cómo te llamas tú? (¿Cómo?)
Toma un poco de mi— (Smoke, smoke, jeje)
Sé que andas a mis espaldas siempre hablando bullshit
No te piques si tu novia me habla rollo groupie (Uh)
A mí me suda la polla si tu gorra es Gucci (Da igual)
Sé que no es original (Oh, feka), viene
[Estribillo]
De Taiwán, de Taiwán, de Taiwán (De Taiwán)
Esa Gucci te ha llega'o de Taiwán (De Taiwán)
De Taiwán, de Taiwán, de Taiwán (Vamo')
Sé que no es original, uoh-oh-oh (Ah)
[Verso 3]
Ellos tirando billetes, yo recogiéndolos (Tú sí)
Ellos flipando en su peli, yo estoy haciéndolo (Make me)
Sé que les duele, solo pue'o decir: "Lo siento, bro" (Ajá)
Les estoy viendo desde lejos maldiciéndonos (Ay-ay)
Están copiándome (Woah), quieren ser el nuevo Rels (Rels)
Quieren parecerse a mí (Nah), pero no les sale bien (Nah)
Mami, no pueden pararme, estoy al 110% (Ouh)
Y eso que no tengo squad (Squad)
Y eso que no tengo gang (Gang, gang)
[Estribillo]
De Taiwán, de Taiwán, de Taiwán (De Taiwán)
Con los ojos que parezco de Taiwán (Ah-ah-ah)
De Taiwán, de Taiwán, de Taiwán (Welcome)
No vengas a molestar, uoh-oh-oh (Ay, chinito)
De Taiwán, de Taiwán, de Taiwán (De Taiwán)
Esa Gucci te ha llega'o de Taiwán (Jejeje)
De Taiwán, de Taiwán, de Taiwán (¿Cómo?)
Sé que no es original, uoh-oh-oh (Ah)
**"Made in Taiwan"** es una canción del rapero español Rels B, lanzada el 13 de julio de 2016. Producida por Itchy & Buco Sounds, el tema remixea "What They Want" de Russ, fusionando hip-hop y trap. La canción explora temas de autenticidad y éxito, (pero fue eliminada del álbum “Boys Don’t Cry”), con una lírica que critica la superficialidad. Este sencillo marcó un hito en la carrera de Rels B, destacándose por su producción refinada y su mensaje contundente, consolidando su reputación en la escena musical.
**Made in Taiwan** by Rels B
*Credits*
**Producer**
Itchy & Buco Sounds
**Writers**
Buco, Itchyfingaz, Rels B
**Publisher**
Sony/ATV Discos, Sony ATV Music Publishing Holdings (ESP), Lex Luthorz
**Co-Producer**
Buco, Itchyfingaz
**Video Production Company**
LeFLMs
**Release Date**
July 13, 2016
**Remix Of**
"What They Want" by Russ
**Tags**
Rap, Spanish Urban, Spanish Rap, Remix, Trap, España, En Español
US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.
25 de septiembre de 2016
© 2016 ILoveRibs!
℗ 2016 ILoveRibs!
[Verso]
Llamas a Kigo, negocias con mi prima
Lo firma mi madre, yo solo veo las cifras
Parece una peli rodada en Sicilia pero esta es mi vida
Todo es un asunto de familia
Y no en plan metafórico (No)
Los apellidos son iguales, no es un código
No hay seguridad, somos mi primo y yo
Y él es muy cariñoso, pero yo que tú bajaba el tono (Uh)
El vuelo es a París, llegamos pa' comer
Treinta personas on stage, en el tour más de cien (Cien)
No es atrezo lo que Dichas nos da de beber (No)
Negocios y placer, no los distingo biеn
Y aun así, estamos millo
No te voy a mentir, no ha sido sеncillo
Podéis apostar cuántos años más voy a estar
Tan relevante y con autoridad para escupir estos raps (Uh)
¿Quizás un par?
Que te jodan, voy a estar lo que yo quiera estar, rockstar
Haciendo el Matrix mientras os quedáis sin balas
No me pueden tocar
[Outro]
Pew, pew
Jajajaja
Canción Original de la película “ESTA AMBICIÓN DESMEDIDA” de Little Spain interpretada por el protagonista C. Tangana (prod. Alizzz)
Aunque esta canción no haya sido publicada en ninguna plataforma de streaming como formato musical, aparece en el final de la película “Esta ambición desmedida” estrenada el día 26 de octubre de 2023.
**Credits**
**Producer**
Alizzz
**Writer**
C. Tangana
**Release Date**
October 29, 2023
**Tags**
Rap, Freestyle, Spanish Urban, Spanish Rap, En Español, España
US: © Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.
[Intro]
Hol' up! (Hol' up!)
[Verso 1]
Hacía tiempo que no me pasaba (-que no me pasaba; ¿qué tal todo por aquí?)
Todos pensando que ya lo dejaba (-que ya lo dejaba; wow)
No falta mucho, pero antes dejarme matarla
Queda un minuto, descuento
Pavos en fila y sube pa' la falta
Se acabó todo lo que se daba, no sé si me explico (¡Puchito, Puchito!)
Te enjabonas, te cortan el agua, no sé si me explico (¡Puchito, Puchito!)
La copa no es para la grada, no sé si me explico
Vengo a por el finiquito, trinco la prima y foto de equipo (¡Me piro!)
Ya os contaré los motivos, está todo escrito
Saludo a mi gente de Vigo, shout-out para Vigo
Esta va solo pa' los que han estado de siempre conmigo
Aunque ponga' esa cara de bobo en tu foto, lo juro
Te quiero como a un hijo
[Estribillo]
Si vienes a verme en directo (¡Puchito, Puchito!)
Si me pillas drogado en el centro (¡Puchito, Puchito!)
Si ves que te la estoy haciendo, que vas a acabar consintiendo
Mañana cuando te pregunten todas tus amigas: "¡Puchito, Puchito!"
[Verso 2]
Solo el amor de verdad podría torcer mi destino
Te juré que no lo iba a contar, ¡pero no aguanto más sin decirlo!
Carlotta Cosials, ¡quiero casarme contigo!
Estoy apretando ahí arriba, pa' que te lleves el Grammy Latino (¡Te quiero!)
Soy un romántico... el más blando del rollo
No vendo mierda; nunca he trincha'o a ese pollo
¡Vas a decir que no escribo mis temas!
¡Voy a pedir treinta mil por mis penas!
¡Voy a copar dos semanas enteras tu Twitter, tu Facebook, tu WhatsApp!
¡Espera, Puchito! (Puchito)
[Outro]
(Puchito, Puchito, Puchito, Puchito, Puchito)
(Puchito, Puchito, Puchito, Puchito, Puchito)
(Por chito, por chito, por chito, por chito, por chito)
(Por chito, por chito, por chito, por chito, por chito)
Remix de "C.H.I.TO." de C. Tangana hecho por Lost Twin; aparece únicamente en la edición vinilo de 10/15 y en los archivos de audio que aparecen por el Bandcamp de Ferlandina.
Letra y vocales: C. Tangana
Producción original: Banana Bahía
Producción del remix: Lost Twin
Ingeniero de mezcla: Lost Twin
Ingeniero de máster: Lewis Hopkin (en StarDelta Audio Mastering)
Ilustración y diseño: Xavi Ceerre
**Credits**
**Producer**
Lost Twin
**Writer**
C. Tangana
**Mastering Engineer**
Lewis Hopkin
**Mixing Engineer**
Lost Twin
**Copyright ©**
Ferlandina
**Phonographic Copyright ℗**
Ferlandina
**Label**
Ferlandina
**Release Date**
July 1, 2016
**Remix Of**
C.H.I.T.O. by C. Tangana
**Tags**
Rap, Trap, España, Spanish Rap, Spanish Urban, En Español
AGZ es pa' siempre; felices 6 años al 10/15.
EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.
© 2016 Ferlandina
℗ 2015 Agorazein
C.H.IT.O: 00:00
NADA: 02:35
BOLSAS: 05:31
DRAMA: 09:15
BACK TO BARS: 13:26
**10/15** marca el regreso de C. Tangana a la música tras su retiro después del sencillo "Alligators" lanzado el 28 de marzo de 2014. Inicialmente, Tangana planeaba alejarse de la música para trabajar en un empleo convencional, pero se dio cuenta de que su verdadera pasión era la música. Este mixtape representa su decisión de dedicarse por completo a su carrera artística.
La mixtape se lanzó progresivamente en octubre de 2015, con sencillos como "C.H.I.T.O." el 30 de septiembre, "Nada" el 5 de octubre, "Bolsas" el 15 de octubre, y dos más el 28 de octubre. Incluye estilos como rap, trap y R&B, con la colaboración de Royce Rolo, Danni Ble y Elecesar del colectivo Banana Bahía Music.
10/15 generó polémica porque las bases de las canciones eran remakes de canciones de Drake hechos a partir de samples. A través de esta mixtape, C. Tangana se declaró a la cantante Carlotta Cosials, respondió a conflictos con Negas, y recordó su pasado en la escena rap underground de España como Crema.
Con 10/15, C. Tangana ha vuelto a captar la atención del panorama musical español, marcando el inicio de su transformación de artista a tiempo completo.
**Credits**
**Mastering Engineer**
Lewis Hopkin
**Mixing Engineer**
Lost Twin
**Label**
Agorazein & Ferlandina
**Producers**
Royce Rolo, Danni Ble, Elecesar, Banana Bahía Music, Lost Twin
**Writers**
C. Tangana & Neenyo
**Additional Vocals**
Roy Woods
**Copyright ©**
Ferlandina
**Phonographic Copyright ℗**
Ferlandina
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EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.
00:00 Trouble feat. Alizzz
03:30 Presidente
06:28 Presidente bRUNA Remix
EP de C. Tangana lanzado en marzo de 2014. Contiene el tema Trouble (A1), en el que colabora Alizzz y el tema Presidente (B1) y su remix, por bRUNA (B2)
**Trouble + Presidente — Single** es un EP de C. Tangana lanzado el 20 de marzo de 2014. Incluye tres pistas:
1. **Trouble (Ft. Alizzz)**: Una colaboración con el productor Alizzz, caracterizada por ritmos electrónicos innovadores.
2. **Presidente**: Un tema donde C. Tangana aborda temas de poder y liderazgo.
3. **Presidente (bRUNA Remix)**: Una reinterpretación de la canción original por el productor bRUNA.
El EP, producido por Alizzz y bRUNA, y con coros de Sticky M.A., destaca por su mezcla de sonidos electrónicos y beats contundentes, consolidando a C. Tangana como un artista versátil en la escena musical española.
**Credits**
**Artwork**
Jorge Primo
**Label**
Agorazein
**Featuring**
Alizzz
**Producers**
Agorazein, Alizzz, bRUNA
**Writers**
C. Tangana
**Background Vocals**
Sticky M.A.
EU: © The use of copyrighted material is permitted under certain exceptions and limitations for purposes such as criticism, review, news reporting, teaching, and research. These exceptions are granted in compliance with the EU Copyright Directive 2001/29/EC and might otherwise be infringing. Non-commercial, educational, or personal use may strengthen the case for such exceptions.
The podcast currently has 14 episodes available.