<p>When people are fighting in a screenplay, you’ve might have conflict. When they really, really don’t get along, you definitely have conflict. Nathan and Ryan discuss how to incorporate conflict in your screenplay elegantly. They do script surgery on “Guardians of the Galaxy Volume II,” noting the extreme amount of conflict in it. Nathan pitches his intriguing and timely idea “Little Miss Journalist” in Logline Cage Match. </p>

When people are fighting in a screenplay, you’ve might have conflict. When they really, really don’t get along, you definitely have conflict. Nathan and Ryan discuss how to incorporate conflict in your screenplay elegantly. They do script surgery on “Guardians of the Galaxy Volume II,” noting the extreme amount of conflict in it. Nathan pitches his intriguing and timely idea “Little Miss Journalist” in Logline Cage Match.

<p>When people are fighting in a screenplay, you’ve might have conflict.&nbsp;When they really, really don’t get along, you definitely have conflict. Nathan and Ryan discuss how to incorporate conflict in your screenplay elegantly. They do script surgery on “Guardians of the Galaxy Volume II,” noting the extreme amount of conflict in it. Nathan pitches his intriguing and timely idea “Little Miss Journalist” in Logline Cage Match. </p>

0010: Conflict

The Screenplay Writers is a master class in writing screenplays by two screenplay writers who, between them, have crafted dozens upon dozens. And that doesn’t include the dozens more they’ve brainstormed. Join Ryan and Nathan as they share their vast stores of knowledge on the essential elements of a successful screenplay—as well as the challenges of the revered profession. Yeah, there are a few!

Share 0010: Conflict

Sign up to save your podcasts

0010: Conflict

0010: Conflict