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Nathan and Ryan are now accepting sponsors! Anyone may apply, except for other podcasts by, for and about screenplay writers, of which there are none anyway.
Nathan outlines three-act and five-act structures, which differ by the presence of roughly two acts, and addresses the chances of a screenplay succeeding with more than five acts (zero percent). They do script surgery on “Pulp Fiction,” and Ryan pitches Nathan on his new idea, “Deathmill,” which is a driller (a dramatic thriller) that celebrates the importance of having a thriving small business community close to where you work out.
By Ryan Abbott and Nathan Hare, Screenplay Writers1.3
1010 ratings
Nathan and Ryan are now accepting sponsors! Anyone may apply, except for other podcasts by, for and about screenplay writers, of which there are none anyway.
Nathan outlines three-act and five-act structures, which differ by the presence of roughly two acts, and addresses the chances of a screenplay succeeding with more than five acts (zero percent). They do script surgery on “Pulp Fiction,” and Ryan pitches Nathan on his new idea, “Deathmill,” which is a driller (a dramatic thriller) that celebrates the importance of having a thriving small business community close to where you work out.