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“It was a send-up, Peter – a charade. Sunday-afternoon fun out on the lawn.”
Get ready, class, because we’ve brought in our first guest lecturer - amateur filmmaker and technical director for The Department of Menial Humor, Samuel Dumas - to discuss Welles’s first foray into filmmaking with the 1934 short film The Hearts of Age. We discuss this film’s surrealist influences, the parallels with Welles’s later work (especially his final film The Other Side of the Wind), and finally get into the details of Stephen’s fabled Wellesian bachelor party!
Homework for next week - ‘Voodoo’ MacBeth - https://youtu.be/9wmWBki06yc
Find our guest lecturer, Samuel Dumas, and his work in the following places:
Follow us on our (admittedly limited) socials to keep up with assignments and other exciting Welles-related news:
By Welles University“It was a send-up, Peter – a charade. Sunday-afternoon fun out on the lawn.”
Get ready, class, because we’ve brought in our first guest lecturer - amateur filmmaker and technical director for The Department of Menial Humor, Samuel Dumas - to discuss Welles’s first foray into filmmaking with the 1934 short film The Hearts of Age. We discuss this film’s surrealist influences, the parallels with Welles’s later work (especially his final film The Other Side of the Wind), and finally get into the details of Stephen’s fabled Wellesian bachelor party!
Homework for next week - ‘Voodoo’ MacBeth - https://youtu.be/9wmWBki06yc
Find our guest lecturer, Samuel Dumas, and his work in the following places:
Follow us on our (admittedly limited) socials to keep up with assignments and other exciting Welles-related news: