We are finally in a position to uncover the underlying concept or idea of the dialogue which is dramatized as it is and as it appears to be (correctly, to a dialectical reader, and incorrectly to the Many) in every aspect of the dialogue. Just as in HIppias Minor and in Politeia, there are actually several paradigms dramatizing this idea in various stages of false appearance. The characters are deigmata of the various paradeigmata.