Groove isn’t just ink on a staff—it’s where you place the beat. Marc Mellits tells Tyler Kline how he coaches classical players toward “smooth, funky legato,” invisible accents, and a center-or-back-of-the-beat feel that actually locks in the pocket. They also dig into orchestral drum set pitfalls, cymbal choice as personal voice, and why leaving slashes for improvisation often beats writing every note.

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