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#050 - ANDY HAGERMAN, AVID’s Audio Sensei, explains Digital Audio and DAW Workflows
ANDY HAGERMAN, AVID’s Audio Sensei, explains Digital Audio and DAW Workflows
Andy Hagerman’s career in music and education
Recording myths: Do recordings sound different in different DAWs?
The digital summing engine
Analogue and digital recording levels: saturation and clipping
The importance of clocking for audio interfaces
Recording levels and bit-depth: 16bit or 24bit?
The magic of 32bit floating point. Where it’s beneficial and where it’s pointless
Things you won’t find in the manual: The inner workings of Pro Tools.
Latency - how to overcome the pesky echo in your headphones
How to get an authentic-sounding MIDI performance
Andy’s tips on delivering great performances
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By Jan 'Yarn' MuthsANDY HAGERMAN, AVID’s Audio Sensei, explains Digital Audio and DAW Workflows
Andy Hagerman’s career in music and education
Recording myths: Do recordings sound different in different DAWs?
The digital summing engine
Analogue and digital recording levels: saturation and clipping
The importance of clocking for audio interfaces
Recording levels and bit-depth: 16bit or 24bit?
The magic of 32bit floating point. Where it’s beneficial and where it’s pointless
Things you won’t find in the manual: The inner workings of Pro Tools.
Latency - how to overcome the pesky echo in your headphones
How to get an authentic-sounding MIDI performance
Andy’s tips on delivering great performances