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This week we interview Technical Director Johnathan Bearclaw Hart. Cindy worked with Bearclaw on "Faust" at Portland Opera. Portland Opera is the first opera he has worked at, in any capacity and he tells us some of the differences and challenges he faces switching from Musical Theatre to Opera. A big one being that operas rent a lot more sets, that then need to fit into a space they were not originally designed for. But he loves puzzles! So it worked out great for him.
Attribution:
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Logo:
Ritzy Remix font by Nick Curtis - www.nicksfonts.com/index.html
Music and Sound
Flute Play C - 08 by cms4f / Licence: CC0 1.0
"Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0
Licenses
By Cindy Hennon Marino and Stacy Hennon Stone5
1010 ratings
This week we interview Technical Director Johnathan Bearclaw Hart. Cindy worked with Bearclaw on "Faust" at Portland Opera. Portland Opera is the first opera he has worked at, in any capacity and he tells us some of the differences and challenges he faces switching from Musical Theatre to Opera. A big one being that operas rent a lot more sets, that then need to fit into a space they were not originally designed for. But he loves puzzles! So it worked out great for him.
Attribution:
----more----
Logo:
Ritzy Remix font by Nick Curtis - www.nicksfonts.com/index.html
Music and Sound
Flute Play C - 08 by cms4f / Licence: CC0 1.0
"Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0
Licenses