Emily Koh talks with Tyler Kline about her evolving identity as both a composer and bass player — and how those worlds finally merged after finding community in Georgia. She shares the origin of her “super bass” concept, composing for violin and bass as a single sonic unit alongside percussion, and the inspiration behind her piece Memento Mori. Emily also reflects on the physicality of bass frequencies, and how playing bass can feel like becoming one with the instrument.

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