
Sign up to save your podcasts
Or


Today we welcome Director Crystal Manich, Choreographer Susa Van Pelt Petry, Set and Costume Designer Court Watson and Lighting and Projection Designer Tlaloc Lopez-Watermann as we discuss why doing a show like Madame Butterfly is important in 2018 and how a company can "re-tell" a story that so many people think they know WITHOUT changing the music or the words.
Attribution:
----more----
Logo:
Music and Sound
Flute Play C - 08 by cms4f / Licence: CC0 1.0
"Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0
Licenses
By Cindy Hennon Marino and Stacy Hennon Stone5
1010 ratings
Today we welcome Director Crystal Manich, Choreographer Susa Van Pelt Petry, Set and Costume Designer Court Watson and Lighting and Projection Designer Tlaloc Lopez-Watermann as we discuss why doing a show like Madame Butterfly is important in 2018 and how a company can "re-tell" a story that so many people think they know WITHOUT changing the music or the words.
Attribution:
----more----
Logo:
Music and Sound
Flute Play C - 08 by cms4f / Licence: CC0 1.0
"Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0
Licenses