Hannah Selin traces the origins of her Pieces of Place project—a cycle of works that weave together memory, geology, and ecology. She and Tyler talk about composing during the pandemic, the ache of distance from nature, and the challenge of translating vast natural processes into human-scale sound. Through landscapes like the Chesapeake Bay and the Catskills, Hannah’s music becomes a way to listen for what’s shifting—within the Earth, and within herself.

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