"Bas Delicte" was recorded on a 4-track recording device back in the year 2006. 8 original noise tracks.

080112

Charles S. Kuzmanovic, under the moniker "Fake Plastic Heads," crafts sonic landscapes from his studio nestled in a small town near Munich, Germany. Drawing inspiration from the electronic realm, Kuzmanovic's music is an exploration of experimental sounds infused with elements of noise, glitch, and IDM.

The name "Fake Plastic Heads" requires no elucidation, resonating universally with those who have encountered the veneer of falseness in human interactions. It serves as a poignant reminder of the pervasive presence of inauthenticity in our lives, urging listeners to confront the facades that surround them.

At the heart of Kuzmanovic's work lies a commitment to translating the depths of inner emotion into tangible, abstract forms that linger in the minds of his audience. Eschewing fleeting trends, each composition and album embarks on a journey that demands patience and introspection, offering a respite from the ephemeral nature of modern media consumption.

With a cinematic approach, Kuzmanovic constructs audio-visual worlds that invite listeners to immerse themselves fully in his dark, industrial soundscapes. Within these realms, intricate structures of sound and noise intertwine, creating a tapestry that reflects the complexities of the human psyche.

"Fake Plastic Heads" represents more than just music; it is an artistic endeavor aimed at alleviating the burdens of suffering and exploring the enigmatic recesses of human consciousness. Through his work, Kuzmanovic seeks to transcend the mundane and delve into the abstract, inviting listeners to embark on a transformative journey of self-discovery and reflection.

Music

Charles S. Kuzmanovic, under the moniker "Fake Plastic Heads," crafts sonic landscapes from his studio nestled in a small town near Munich, Germany. Drawing inspiration from the electronic realm, Kuzmanovic's music is an exploration of experimental sounds infused with elements of noise, glitch, and IDM. The name "Fake Plastic Heads" requires no elucidation, resonating universally with those who have encountered the veneer of falseness in human interactions. It serves as a poignant reminder of the pervasive presence of inauthenticity in our lives, urging listeners to confront the facades that surround them. At the heart of Kuzmanovic's work lies a commitment to translating the depths of inner emotion into tangible, abstract forms that linger in the minds of his audience. Eschewing fleeting trends, each composition and album embarks on a journey that demands patience and introspection, offering a respite from the ephemeral nature of modern media consumption. With a cinematic approach, Kuzmanovic constructs audio-visual worlds that invite listeners to immerse themselves fully in his dark, industrial soundscapes. Within these realms, intricate structures of sound and noise intertwine, creating a tapestry that reflects the complexities of the human psyche. "Fake Plastic Heads" represents more than just music; it is an artistic endeavor aimed at alleviating the burdens of suffering and exploring the enigmatic recesses of human consciousness. Through his work, Kuzmanovic seeks to transcend the mundane and delve into the abstract, inviting listeners to embark on a transformative journey of self-discovery and reflection.

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