
Sign up to save your podcasts
Or


Charley draws parallels between the Depression-era 2000 Coen Brothers screwball musical and the politics of Rafael Pérez Grovas's 1981 film SANTO AND THE BORDER OF TERROR (Santo en la frontera del terror) proving The Blob Show is always a good place to call out white supremacy.
By Tony Pellum5
33 ratings
Charley draws parallels between the Depression-era 2000 Coen Brothers screwball musical and the politics of Rafael Pérez Grovas's 1981 film SANTO AND THE BORDER OF TERROR (Santo en la frontera del terror) proving The Blob Show is always a good place to call out white supremacy.