In John's own words, "Cosey's work has continually innovated, challenged and outraged since the start of the 1970s, Whether as a member of the transgressive art collective Coum Transmissions or the boundary destroying industrial group Throbbing Gristle, or as an electronic musical with her partner Chris Carter. Since the 70's, her work has brought her into direct conflict with the police, the tabloid press, the British government, the music industry and the art establishment, and despite this, she remains to this day a uniquely progressive artist."

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